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SEE YOU AT PLATTE: OUR CROISSANT SESSION DURING BERLIN ART WEEK

SEE YOU AT PLATTE: OUR CROISSANT SESSION DURING BERLIN ART WEEK

After the last one comes the next! Together with Platte and girocard, we at Cee Cee are hosting our next Croissant Session (12.09.2026) as part of the official Berlin Art Week program.

As always, expect groovy sounds, drinks, mini croissants on the house for all the early birds, great communities, and new connections. This time our session is supported by girocard and takes place at Platte — Berlin’s hub for nurturing the next generation of design talent, bringing communities together just like we do, and driving social change through bold, innovative fashion initiatives. Daniel Wang delivers the perfect disco sounds, while drinks come courtesy of Matchasome.

This time, alongside our limited-edition T-shirt developed together with Platte, there’s something extra special. You can get hands-on with the Spreadshirt team on-site and design your very own T-shirt. If you’re out and about during Art Week, there are no excuses. Whether it’s before, between, or after your art tour, we’ll be waiting for you!

Text: Robyn Steffen / Credits: Cee Cee Creative, Philipp Götze, Ruby Watt

Platte, Memhardstr.8, 10178 Berlin–Mitte; map

Croissant Session x Platte x girocard 12.09.2026 11–15h. Free entry, RSVP here.

@ceeceeberlin
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@platte.berlin
@girocard

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HIER. AND NOW: PAUSE FOR A SEASONAL LUNCH ON THE COURTYARD TERRACE AT HIER.

HIER. AND NOW: PAUSE FOR A SEASONAL LUNCH ON THE COURTYARD TERRACE AT HIER.

As local and sustainable as possible — this is the guiding principle behind the restaurant hier., which opened its doors in June 2026 on Schönhauser Allee. It shapes not only the selection of ingredients, but also the restaurant’s collaboration with the seasons and the farmers who supply its kitchen. Located within the AchtBerlin complex, hier. serves fresh salads, warming soups and hearty stews, freshly topped sandwiches, quiches and oven-baked strudels from Monday to Friday at lunchtime, all guided by a belief in working with fresh produce and creating intuitive, wholesome food. Behind the restaurant are Marc Schmidheiny, who founded the film distribution company DCM and also brought the AchtBerlin project to life, and Chiara Strobl, who developed the culinary concept and turned it into reality. With experience at Nobelhart & Schmutzig and Lode & Stijn, as well as her own distinct kitchen philosophy, she brings a refreshing approach to the table, and to Berlin’s Mitte district. “Here, there isn’t everything — but everything is from here.” This phrase captures the concept perfectly. Everyday ingredients such as lemons, cinnamon, chocolate, olive oil, or pepper are intentionally not used. But that doesn’t mean a lack of flavor: regional alternatives such as flaxseed oil, roasted fennel, caraway, verbena, and chamomile create a diverse range of aromas. Dried mint leaves, spreads made from roasted sunflower seeds — the list goes on, and so do the surprises on the plate. My personal highlight is Potato Wednesday… If you love potatoes even half as much as I do, this might just become your new favorite day of the week. And when the sun is shining, the spacious, green courtyard terrace is the perfect place to slow down and switch off. At hier., pause can simply be pause.

Text: Robyn Steffen / Photos: hier.

hier., Schönhauser Allee 8, 10119 Berlin–Mitte; map

@hier.restaurant.catering

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FRENZIED DIALOGUES BENEATH A BLAZING SUN: KINDER DER SONNE AT THE BERLINER ENSEMBLE

FRENZIED DIALOGUES BENEATH A BLAZING SUN: KINDER DER SONNE AT THE BERLINER ENSEMBLE

Director Laura Linnenbaum stages Jakob Nolte’s contemporary adaptation of Maxim Gorki’s Kinder der Sonne (“Children of the Sun”) as a two-and-a-half-hour dense milieu study of a bourgeois society running on empty. In doing so, the production comes alarmingly close to the present day. The first thing you notice is the floor. Sticky, glittering black, it covers the entire stage of the Neues Haus. It creeps up the lampposts and transforms the garden of a villa on the outskirts of town into a place you would rather not touch, somewhere between an oil spill, rare earth, and burnt asphalt. Whatever stage designer Daniel Roskamp has laid down forces the characters to keep moving, as if standing still on this hostile surface was painful. The protagonists keep slipping and sliding, much like the words that tumble unchecked from their mouths. Three intellectuals, a literary scholar, his wife, and his traumatized sister, live in a house with a perpetually broken garden gate. They are courted by a businesswoman, a painter, and a veterinarian. Meanwhile, the housekeeper, a craftsman, and the landlord remain at the margins, often literally. Everyone talks with each other, against each other, mostly past each other. No one is particularly likable. They are all antiheroes. And yet you find yourself involuntarily caught up as the drama unfolds. It is not easy to surrender to the play right away. The double strain of staged and real reality weighs heavily. But once you allow yourself to become immersed, you suddenly find yourself in the middle of a frenzied linguistic maelstrom about the relevance and futility of the educated bourgeoisie. What remains is an exceptionally sharp character study of an educated society, without moral judgment.

Text: Hilka Dirks / Photos: Gianmarco Bresadola

Berliner Ensemble, Bertolt-Brecht-Platz 1, 10117 Berlin–Mitte; map

Kinder der Sonne (Children of the Sun) until 26.04.2026

@blnensemble

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TO STREAM OR NOT TO STREAM: GRAND THEFT HAMLET’S MUBI PREMIERE AT HAU

TO STREAM OR NOT TO STREAM: GRAND THEFT HAMLET’S MUBI PREMIERE AT HAU

Like pretty much all millennials, I spent my youth playing video games. Zelda was followed by SingStar, The Sims, and Skyrim – and at some point, there was no escaping it: GTA, short for Grand Theft Auto. Stealing cars, flying helicopters, committing crimes – in short, living the gangster fantasy. The perfect distraction from identity crises and the struggles of everyday life. It was also a distraction for actors Sam Crane and Mark Trost, who found themselves in their third COVID lockdown in London in January 2021, unsure of what to do with themselves. Isolated and anxious about the future, they started meeting up in Grand Theft Auto. After one particularly chaotic police chase, they accidentally ended up in a theater within the virtual city of Los Santos. Standing on its stage, they asked each other – half-joking at first, then more seriously – whether it would be possible to perform Hamlet inside the game. Together with Sam’s wife, filmmaker Pinny Grylls, they embarked on an unusual creative journey. Casting actors wasn’t easy in a game where gunfire is a constant backdrop. Finding locations and writing a script proved equally unpredictable. But soon, their avatars were rehearsing Shakespeare’s play about revenge and madness against the often dramatic cityscapes of Los Santos – a fictional world where death and destruction are the norm. Between absurd rehearsal scenes – where fights and accidental deaths frequently interrupted the process (“The thing is, you can’t stop production just because somebody died”) – unexpectedly moving moments emerged among the cast members.

Because while the entire film and play unfold in a virtual world, the actors themselves were at home, sitting in front of their computers or PlayStations, facing real-life fears and uncertainties once they took off their headsets. I never thought I’d be moved to tears by a video game stream. Even less did I think that the game in question would be GTA. It was a first. And now, you can experience it for yourself. On 26.02.2025, the now multi-award-winning film Grand Theft Hamlet celebrates its premiere on the streaming platform Mubi in partnership with HAU. After the screening, there will be a virtual Q&A with directors Pinny Grylls and Sam Crane, alongside animator, visual artist, and software developer Friedrich Kirschner. How could it be otherwise? Virtually, of course.

Text: Inga Krumme / Stills: Grand Theft Hamlet

HAU2, Hallesches Ufer 34, 10963 Berlin–Kreuzberg; map
Grand Theft Hamlet 26.02.2025 20h, free entry (with ticket).

@hauberlin 
@mubideutschland

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YOUR OFFICE IN THE CEE CEE STUDIO: A ROOM INCLUDING YOUR OWN MEETING ROOM AVAILABLE FROM JANUARY

YOUR OFFICE IN THE CEE CEE STUDIO: A ROOM INCLUDING YOUR OWN MEETING ROOM AVAILABLE FROM JANUARY

Everything is new in January: we are reorganizing and rethinking our space. That’s why we not only offer free office desks (see also the article here), but also a whole room for a small company: The lower part of our space is now also available. The bright room with floor-to-ceiling windows has its own entrance and street-side access, meaning you could also set up a small showroom with its own meeting room on request. There’s soundproof booths for meetings and a kitchen – both of which are shared with the rest of the studio. Analog amenities such as Third Wave Coffee, Leogant-filtered water and printer are included. Of course you also profit from digital amenities too, such as a meeting room booking system, a digital lock at the main entrance and obviously: good internet. We are looking for a company of up to eight people or two small groups/collectives/companies for the bright room on Charlottenstrasse. If that sounds exciting, please get in touch with us by email. And with a bit of luck, individual spaces are still available in the Cee Cee Studio. Viewings are possible at any time – Cee Cee you later.

Text: Nina Trippel / Photos: Robyn Steffen

Cee Cee Studio, Charlottenstr.1, 10969 Berlin–Kreuzberg; map

Price for single desks: 380€/pP. Price for the office room incl. meeting room: 3500€/month.

@ceeceecreative
@ceeceeberlin

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