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BENT METAL: THE SLEEK DESIGNS OF STAINLESS STUDIOS

BENT METAL: THE SLEEK DESIGNS OF STAINLESS STUDIOS

How far can simplicity in product design be pushed? This Berlin studio is taking on sheet steel to find out. And they couldn’t have chosen a better name than Stainless Studios. Founded in 2024 by siblings Melissa and Nils, the studio was born out of their shared love for minimalism and interior design. Their designs contain one to four folds, and not much more than a screw hole or a weld. With names like Kollwitz, Flora, Graefe, and Bötzow, the duo pays homage to their city, whose DNA is embedded in their work. So far, the range includes a bedside table, a shelf, and vases, with the collection continuously growing. All pieces are made in Germany, from concept to production. The siblings collaborate with local artisans around the Black Forest, prioritizing short supply chains, fair working conditions, and the smallest possible footprint. The furniture is treated with a patina that softens the look and helps the objects age gracefully in everyday life. A folded sheet of stainless steel has never looked so soft. Placing Stainless Studios’ pieces in a room works beautifully: their cool austerity fits effortlessly in any context. A true ode to steel.

Text: Inga Krumme / Photos: Mariana Cerrillo, Sigurd Grünberger

Stainless Studios

@stainlessstudiosberlin

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AN OPTICIAN FOR FINE JAPANESE FRAMES — RARE SPECS AT OPTIK FUJIYAMA

AN OPTICIAN FOR FINE JAPANESE FRAMES — RARE SPECS AT OPTIK FUJIYAMA

How did I learn to love my myopia? By using my glasses as an aesthetic statement, as opposed to a mere optical aid. When it comes to buying a new pair, the stakes are accordingly high. One person who understands this better than most is Yutaro Fujiyama, optician and owner of Optik Fujiyama in Moabit. Bespectacled himself, the Japanese-born specs expert opened the contemporary eyewear store in October 2025 after qualifying as an Optikermeister in Düsseldorf. His smallish shop is quietly premium – all teak cabinets and clean white walls – but what stands out are the frames. The majority are from Japan, though not, Yutaro insists, because he is Japanese himself, but because the country simply makes the best frames. Yutaro is keen to point out special details, such as the Titanika and Taylor with Respect models that are cut from a single sheet of titanium. Or there are the Matsuda frames, whose temples feature tiny embellishments and micro-perforations for a delicate, precise look. Many of these glasses are as light as a feather, though there are some chunky acetate models for those fond of flamboyance. Once you’ve made your pick, Yutaro will test your eyes and help you configure your Zeiss lenses with every coating, tinting, thickness, and finish you could possibly imagine. For me, this is the best part: combining frames and tints to make the kind of specs people comment on. It’s the deal I’ve made with myopia – if I can have glasses this strong, I’ll settle for weak eyesight.

Text: Benji Haughton / Photos: Sophie Doering

Optik Fujiyama, Emdener Str.3, 10551 Berlin–Moabit; map

@optik_fujiyama_berlin

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KROON 02 — GLASS BEAD CAPS, RAFFIA NECKLACES & WOOL PATCHES AS NOSTALGIC SELF-EXPRESSION

KROON 02 — GLASS BEAD CAPS, RAFFIA NECKLACES & WOOL PATCHES AS NOSTALGIC SELF-EXPRESSION

Anyone who kept up with the street style at the recent Copenhagen Fashion Week couldn’t miss a standout accessory: Bathing Caps from the Luxembourgish label Kroon 02. For me, the sparkling glass-beaded headpieces capture everything that defines today’s zeitgeist in fashion. Their designs invite playful integration into everyday life while leaving plenty of room for personal interpretation and self-expression. This is precisely what Charlotte and Laurene Kroon celebrate with their brand. The two sisters nostalgically reflect on small, personal moments, forming the conceptual backbone of their collections. Charlotte is the creative soul behind Kroon 02. With stints at Botter and Acne Studios, and a deep passion for craftsmanship and precision, she translates her playful curiosity into every single piece. Laurene ensures the brand’s growth and handles the strategic side of the business. Growing up surrounded by forests, fields, and mountains in Luxembourg, their love for nature informs every decision, from selecting high-quality materials to applying zero-waste principles and maintaining close collaborations with workshops. Their world is colorful, sparkling, and attention-grabbing without ever being overpowering. They remain timeless in their choice of materials and colors, yet set trends with their designs. Take the Beaded Hoops, one of their bestsellers, as an example of the label’s approach. The hand-embroidered glass bead earrings with gold-plated brass come in two sizes and twelve colors, appealing to more than just a single generation. Thanks to their minimalist design and multiple add-on options, they provide the perfect canvas to create your very own unique version.

Personally, I only wear the Beaded Hoops in combinations. I have them in each of my seven piercings — sometimes grey, sometimes yellow, always single-colored. (Adding one of the Beaded Cuffs on one side is a must.) Others prefer the simple, classic version, wearing just a single pair. And surely, some mix all the colors. The possibilities are endless. The hoops come in small boxes, printed with a photo of Charlotte and Laurene’s mother — a tribute to their own childhood. In spring and winter 2025, Kroon 02 collaborated with Uniqlo, proving, once again, that even when working with big names, they never lose the essence of their label. For the collections, Charlotte designed patches using her signature techniques, creating room for playful personalization. And perhaps it’s not just minimal shapes or common materials that make a piece timeless. Rather, it’s designs that invite you to rethink them over and over, to combine them in unconventional ways, something Kroon 02’s creations not only allow, but actively encourage.

Text & Photos: Robyn Steffen

Kroon 02

@kroon02

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RAMEN FROM THE RED BUCKET: THE AT-HOME RAMEN KITS BY FOOD TECHNIQUE BERLIN

RAMEN FROM THE RED BUCKET: THE AT-HOME RAMEN KITS BY FOOD TECHNIQUE BERLIN

Anyone in Berlin who considers themselves a food connoisseur has probably long been familiar with the ramen from the red bucket. Behind the concept is Christopher Selig and his independent culinary project, Food Technique Berlin, which grew out of his passion for cooking during the pandemic in 2020. Ramen, in particular, completely captivated him back then — he’s been a fan of the Japanese noodle soup ever since his first trip to Japan in 2006. Since then, he has immersed himself in traditional Japanese cooking techniques. The result: light, refined ramen with a delicate, well-balanced broth — very different from the heavy soups often served in Berlin. Flavorful meat broths and dashi made from dried fish and seafood form the foundation of his ramen, complemented by freshly prepared noodles and carefully considered toppings, always made with high-quality ingredients. Thanks to its unique approach, Christopher’s concept has garnered significant media attention. This is due not only to the outstanding quality of the ramen, but perhaps also — just a little — to his distinctive pickup concept involving the red bucket. Christopher offers his ramen as at-home kits, prepared in a way that requires little more than a few pots and hot water (instructions are available online). You can pre-order the kits online and pick them up either from his kitchen in Friedrichshain or from his apartment in Mitte. We recommend the latter, because this is where the red bucket comes into play.

From the second floor, Christopher lowers your pre-ordered ramen down in the bucket — so there’s no need to walk through his stairwell, yet the personal interaction remains intact, always accompanied by a small smile. By now, Christopher also ships his kits nationwide on a weekly basis. Those who want to experience the close connection between guest and cook should attend one of his pop-ups: For years, Christopher has regularly collaborated at events with renowned ramen chefs from Tokyo as well as Michelin-starred chefs. Many of his Berlin pop-ups take place at the Chipperfield Kantine in Mitte. New events are already planned for 2026, including pop-ups in January and February (dates will be announced on Instagram), followed by another collaboration with a highly acclaimed ramen bar from Japan in mid-March. Food Technique Berlin continues to grow, and we’re eagerly awaiting the opening of Christopher’s first permanent location — he’s currently still searching for the right space in Mitte or Prenzlauer Berg. If you’re staying in the city over the holidays and find yourself craving some culinary variety between Christmas and New Year’s, there’s good news: Christopher will continue his regular sales at both locations until Christmas — along with additional holiday specials.

Text: Robyn Steffen / Photos: Get Voila

Food Technique Berlin

You can pick up the ramen for Christmas on 22. & 23.12., and the New Year’s ramen on 29. & 30.12.2025 – pre-orders only via email or DM

@foodtechniqueberlin

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STEPPING BACK IN TIME — LÜCKELADEN IS A TIME CAPSULE FOR TREASURE HUNTERS

STEPPING BACK IN TIME — LÜCKELADEN IS A TIME CAPSULE FOR TREASURE HUNTERS

The neighbourhood around Nordbahnhof in Mitte, used to be a hot spot for the art scene back in the day, sprinkled with history and goings on. Lückeladen is one of the last remaining shops along Bernauer Straße, tangible to the echoes of what once existed in the art community. Alas, it is not just a window to Berlin’s past, but what lies within, you will likely find something that unlocks memories of your own. The tiny space with its only 14 square meter space sits at the entrance of Norbahnhof station and was approved for restoration in 2014. It was put together by local artists Norbert and Alexandra Stück who studied fine arts in West Berlin. Since the early 2000s, Norbert and Alexandra have opened a number of interdisciplinary experimental spaces and exhibitions commissioned by renowned institutions. Lückeladen is filled with nostalgic memorabilia that Norbert and Alexandra have dedicated themselves to recovering over the years. The space is both a cultural display and a shop, comprised of timeless designed objects from many parts of the world. For me, when I walked in, the first thing I noticed was the “view master”, a red stereoscope where you could view 3D images by inserting film. Something that I hadn’t seen since my childhood.

The second thing I had noticed was the record player – Norbert played a record and explained that they were rectangular and had different artistic prints on them to disguise that they were records. They were shared in secret by the community when certain pop artists were forbidden in Germany. Lückeladen is just one of their ventures, they’ve taken what might be someone’s “trash” and turned it into treasure. Each object has a whole lifetime of stories, from music to trinkets, postcards, art, candy dispensers, old packaging, toys, stationary and postage stamps, Norbert knows them all.

Text & photos: Ruby Watt

Lückeladen, Invalidenstr.20, 10115 Berlin–Mitte; map

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