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S(E)OUL SEARCHING WITH MUBI: WATCH PAST LIVES & EAT KOREAN AT CHOI

S(E)OUL SEARCHING WITH MUBI: WATCH PAST LIVES & EAT KOREAN AT CHOI

It’s Nora who explains the Korean concept of In-Yun — meaning providence or fate — to her husband in the film Past Lives: “If two strangers pass each other on the street and their clothes happen to touch, it’s because of the 8,000 layers of In-Yun.” What Nora says, half-jokingly, unknowingly captures the essence of her connection with her childhood friend Hae Sung. The two lost touch when Nora moved from South Korea to Canada as a teenager, but neither of them ever forgot the other. In their early twenties, they found each other again on Facebook and began Skyping. Then, another twelve years passed. Nora is now married and living in New York when they finally meet again. Filmmaker Celine Song captures this fateful connection with quiet, unforgettable images — moving from the streets of Seoul to a ferry on the Hudson River. It’s a love that was never quite spoken, a what-if that lingers bittersweetly.

Or, in the words of Nora’s husband: “What a good story this is. Childhood friends who find each other again twenty years later and realize that they were meant to be together”. Greta Lee and Teo Yoo play Nora and Hae Sung with such deep longing and gentle searching, you can’t help but reflect on all the lives you might have lived. Actress Jane Chirwa feels the same and recommends the film on Mubi, where it’s now available to stream. In keeping with her daydreams of an alternate life in Seoul, Jane shares one more tip in Berlin: the restaurant Choi, where you can reflect on the idea of In-Yun over a six-course meal — dumplings, seaweed rice cracker rolls, kumquat. And who knows, on your way home, you just might brush shoulders with a soul from a past life.

Text: Laura Storfner / Photos: Sophie Doering / Stills: Studio Canal

Past Lives” is now available to stream on Mubi. You can try Mubi free for 30 days via this link.

Choi, Fehrbelliner Str.4, 10119 Berlin–Prenzlauer Berg, map

@restaurantchoi
@mubideutschland

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SHAPING SOCIETY WITH SUBTLE GESTURES — BERLIN DESIGN WEEK IS AROUND THE CORNER

SHAPING SOCIETY WITH SUBTLE GESTURES — BERLIN DESIGN WEEK IS AROUND THE CORNER

Berlin, you eternal design — between construction fences and brilliance, between experiment and essence — there is nothing more to love than your rich offerings of art, culture, and design. For several years, and inked into the city’s cultural calendar, Berlin Design Week, from 15.05. to 18.05.2025, has transformed the city into a vibrant laboratory for ideas, materials, and visions. Anyone wandering the streets with an open mind will quickly see this isn’t just a place to exhibit, it’s a place to negotiate what will matter tomorrow. BDW is less trade fair and more manifesto. And this year’s motto? “Common Sense.” Even if it sounds simple it’s precisely in this world, that becomes more tangled each day, that we need a collective pause, a shared language for what connects us. Here, design isn’t just conceptulized, it’s felt. Whether through subtle exhibitions featuring emerging talents and major brands like A-N-D Light, SMEG, Ligne Roset, and Zieta Studio; through discursive panels or haptic experiments, this week offers a platform for all those who understand design not only as form but also as responsibility. It’s about cycles. Context. Cultural capital. “The Berlin Format” kicks off the first day of BDW — a two-day program that begins with a keynote by British designer Tom Dixon: one of those rare voices that resonates even before he speaks. And that’s exactly what sparks curiosity.

More inspiring keynotes and standout speakers will follow. For those thinking bigger — about cities, for example — the panel “City, but better” is not to be missed. Featuring Werner Aisslinger, Martin Jasper, and Julia Pülz, the conversation explores how we can create cities worth living in: with vision, repurposing, and urban sustainability. An inspiring exchange about bold decisions and what sustainability can look like today. The halls also open up to international perspectives from Central and South America: soulful design from Guatemala, poetic expressions by Luján Cambariere — approaches that are different, and for that reason, necessary. Anyone who still thinks of design as strictly German will be pleasantly surprised.  The second day holds its own. Is Berlin finally ready to be a true design capital? In the panel “Design City Berlin: Always Talent, Never Champion?”, creatives meet decision-makers. It’s open, controversial, constructive (and typically Berlin). One of the week’s central themes is materials of the future. Few speak about them with the expertise and passion of Prof. Dr. Sascha Peters — first solo, then in collaboration with Matters of Activity and Studio F.A. Porsche. If you’ve ever wondered what the circular economy means, you’ll find answers that reach far beyond the obvious. And as if that weren’t enough, on 16.05.2025, leading agencies from the WPP family — from Scholz & Friends to AKQA — will host studio sessions and an after-party under the motto “Sense the Uncommon”. Starting at 19h, panels give way to drinks, DJs, and a design crowd ready to talk well into the night. Also not to be missed: Berlin Design Night on the evening of 15.05. Studios, galleries, and universities open their doors for rare behind-the-scenes glimpses. If you’ve ever wondered what design can do today — and what it must do tomorrow — Berlin Design Week is a must. Not as a spectator, but as a participant. BDW is an invitation to join the conversation. What makes sense? What truly moves us forward, not just as consumers, but as a community? And perhaps, the best part, it doesn’t have to be loud to be powerful. Sometimes, a quiet impulse is all it takes for the world to rethink.

Text: Alina Herbel / Photos: AND & Objekte Unserer Tage

Berlin Design Week (15.–18.05.2025)

@berlindesignweek

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NEW VENUE FOR YOUNG ART — GEGEN & LÜCKE’S SECOND SHOW “DO YOU SEE NATURE?” BY LARS FISCHER

NEW VENUE FOR YOUNG ART — GEGEN & LÜCKE’S SECOND SHOW “DO YOU SEE NATURE?” BY LARS FISCHER

People gather on the curb at Rosa-Luxemburg-Platz. Everyone is excited, everyone is buoyant, everyone is delighted. The reason? There’s a new gallery in the city. It’s called Gegen & Lücke and exhibits young art in the middle of Mitte. The company behind it is Culterim, which has been renting out vacant properties to artists as studios and exhibition spaces for several years. They now also offer residencies and a course program. The gallery is the latest addition. Profits go to the artists and back to the company to cross-finance. The gallery is managed by Merwin Lüdicke (probably the only salaried gallery owner in Berlin). The represented artists are Anna Zachariades, Björn Heyn, Elisa Breyer, Esther Grüne, Fabian Hub, Kevin Lüdicke and Lars Fischer. The latter is now being exhibited in his first solo show following the successful debut group exhibition. Fischer paints colorful apocalypses on printed PVC, framed in self-welded steel frames. Tube-like worms and worm-like pipes wind their way into mountains, bodies and factories. They are indefinable representatives of dystopia, a central theme in his art. Do you see nature? is the exhibition’s title, and alongside his typical mixed technique of printed photo collages and paintings, Fischer also shows smaller, dark black works for the first time, a hybrid of print and drawing that fittingly resemble burnt paper. The fact that a new gallery is opening at a time of reduced cultural funding, cautious art purchases, and constant artistic existential angst, only to show an exhibition in which everything revolves around catastrophes, is a beautiful irony — and a good reason to pay a visit to Mitte again.

Text: Inga Krumme / Photos: Jannis Uffrecht

Gegen & Lücke, Rosa-Luxemburg-Str.35, 10178 Berlin–Mitte; map
Do you see nature? by Lars Fischer 04.–26.04.2025

@gegenundluecke
@lf_larsfischer

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MORE THAN AN ALLEGORY: MAXIM GORKI THEATER REMEMBERS THE AGHET

MORE THAN AN ALLEGORY: MAXIM GORKI THEATER REMEMBERS THE AGHET

It’s about the Aghet, the genocide of the Armenians during the First World War. With the multidisciplinary festival 100 + 10 – Armenian Allegories, the Maxim Gorki Theater is looking back on the catastrophe for the tenth year. From 24.04. to 31.05.2025, the series of events forms the prelude and prologue to the 7th Berlin Autumn Salon RE-IMAGINE! In addition to new pieces, works that deal with Armenian reality from the last decade will be shown. Armenian stories from all over the world will be told — conceived and realized by over 150 artists, in visual art, films and concerts. “The Bird of a Thousand Voices” opens the festival: musician Tigran Hamasyan, a two-time winner of the German Jazz Award in 2021, stages a new version of an old Armenian fairy tale as a performance between opera and kinetic stage art. The day after, “Donation” celebrates its world premiere: Arsinée Khanjian uses her body as a medium to make experiences of violence and trauma tangible. In the play, the Canadian actress wants to donate historical film costumes to an archivist as a reminder of the genocide. The latter questions the memorial value and added value of the artifacts.

The opening weekend also marks the start of the literary series “My Soul in Exile”, with author Anahit Bagradjans bringing voices from Armenian and diaspora Armenian literature to the stage. Writer Fatma Aydemir, known for her novel “Elbow”, and author and actress Maryam Zaree will read from and discuss the novella by the Armenian poet Zabel Yesayan, which gives the series its title, on April 27. On the same evening, actors Benita Bailey, Saro Emirze and Alina Manoukian will read from Fatih Akın’s screenplay for the film “The Cut”. It tells the story of the blacksmith Nazaret. Until the end of May, the Gorki will be building bridges to the present, asking how past suffering affects the present and what lessons we can learn.

Text: Isabel Raab / Photos: Anush Babajanyan; Nazek Armenakyan, Untitled from the series Red, Black White, 2021; Piruza Khalapyan, The Door to Hell, Nor Getashen, Shahumyan Province, Artsakh, 2020

Maxim Gorki Theater, Am Festungsgraben 2, 10117 Berlin–Mitte; map
100 + 10 – Armenian Allegories 24.04.–31.05.2025. Admission to the exhibition is free of charge. 

@maxim_gorki_theater

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LAYING DOWN ROOTS: A FAMILY HONORS ITS HISTORY AT ROAM PROJECTS

LAYING DOWN ROOTS: A FAMILY HONORS ITS HISTORY AT ROAM PROJECTS

What does origin mean when life uproots you and you have to start from scratch? How do you stay connected when you only return to your roots at the end of your journey? Lina’s lifelines stretch from Hanoi to Paris to Düsseldorf — and now to Berlin with this exhibition. Grandmother Lina traveled with her family to Vietnam, back to her birthplace, in search of the past. She was born in Uông Bí to a German father and a Vietnamese mother. She lived through the Japanese occupation and the liberation struggle of the Việt Minh before moving to Paris in 1950, where she began an apprenticeship as a tailor. Later, she married and settled in Germany. Today, Lina’s daughter, son-in-law, and granddaughter — all of whom work in the arts — reflect on her eventful life with this project. Lina did not live to see the project’s completion. She passed away in 2024 at the age of 92. But her memory lives on in Fluchtpunkt Hanoi. Opening tonight (03.04.2025) at the Roam project space, the moving installation combines simultaneous video projections in a deeply personal homage to a woman who found her way. The result is a visually striking exploration that interweaves questions of origin and belonging, history and the present, as inextricably as Lina’s own life path.

Text: Laura Storfner / Credit: Thomas Gaschler, Marina Ludemann, Nina DeLudemann, Ottjörg A.C.

roam projects e. V., Lindenstr.91, 10969 Berlin–Kreuzberg; map

Fluchtpunkt Hanoi 1906–2025, opening 03.04. 19–22h, until 01.05.2025

@roam_projects_______

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