March 13, 1991: a crowd of club kids from East and West Berlin descend into the vault of a former department store on Leipziger Straße. Behind a giant steel door is a bare basement where, for the first time, ravers dance to Detroit techno until the morning light. Fast forward to today and the name of that club – Tresor – will be familiar to anyone with even a passing interest in nightlife. But how did it actually feel to step out onto that hallowed dance floor all those nights ago? A new exhibition at Kraftwerk Berlin, Tresor 31: Techno, Berlin und die große Freiheit, brings back the now-demolished club as it marks 31 years since that opening night (covid prevented a 30th bash). Indeed, one exhibit goes so far as to recreate the original space: “Stomping Ground” by Dutch artist Anne de Vries looks like Egyptian ruins but is in fact a lifesize Tresor carved out of sand complete with subwoofers, beer crates and toilet cubicles. It is the highlight of an exhibition that includes three floors of filmed interviews, private photos, vinyl records and faxes that document the club’s heydey.

As you make your way through the industrial bowels of Kraftwerk – a building that houses the present-day Tresor – soundscapes, interviews and music from the club’s namesake label are pumped into your ears via smart headphones. You hear from Tresor’s original team including flamboyant founder Dimitri Hegemann who recalls the once-in-a-lifetime chaos and freedom of post-Wall Berlin. Another interview with Hegemann’s colleague and club manager Regina Baer takes on new poignancy following the announcement of her death last month. Many of the youngsters who attended that 1991 rave will now have children of their own. You leave the exhibition hoping they too will get to feel the limitless freedom and community that pioneering spaces like Tresor made possible.

Text: Benji Haughton / Photos: Frankie Casillo

Kraftwerk Berlin, Köpenicker Str.70, 10179 Berlin–Mitte; map
Tresor 31: Techno, Berlin und die große Freiheit runs until 28.08.2022. Tickets can be purchased online.

@kraftwerkberlinofficial

As you cross the square at the Neue Nationalgalerie, you’ll reach a wide stone balustrade. During these long summer days, the granite is warm from the sun, and nothing is more lovely than lying on it and listening to the sounds of the city as you gaze down into the sculpture garden far below. You can spend hours watching people look at art here, in this modernist Elysium that until the 1980s hosted regular outdoor concerts. Now, after a thirty-year hiatus, new director Klaus Biesenbach is finally resuming that tradition: every weekend for five weeks the garden will host a 45-minute performance. The multi-genre program is called Sound in the Garden and features Älice, Wandermüd, Ayku, Caner teker & Niksi and Deep Gold Band. What ties the acts together is the inspiration behind their pieces, namely the gallery’s current collection “The Art of Society” which will stay open until 22h on the dates of the concerts. After listening, you can go back and see if you can find the inspiring works or discover your very own favorites among art by Renée Sintenis (who, by the way, designed the Berlin Bear), David Black, Bernhard Heiliger and Henri Laurens.
 
Text: Hilka Dirks / Photos: Ludwig Windstosser & Agustin Farias / Credit: VG Bild-Kunst, Bonn 2022

Sound in the Garden at the Neue Nationalgalerie, Potsdamer Str.50, 10785 Berlin–Schöneberg; map

Admission and bar from 19h. You can find the full program here.

@neue_nationalgalerie