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WHERE BERLIN GETS TACOS RIGHT: TACOS EL REY — RECOMMENDED BY KARINA GARCÍA PALACIOS

WHERE BERLIN GETS TACOS RIGHT: TACOS EL REY — RECOMMENDED BY KARINA GARCÍA PALACIOS

Being Mexican and living away from home, there’s one thing we can all agree on: we miss our food. Maybe that sounds a bit dramatic, but honestly, Mexican food is such a deep part of our culture. So I started trying to find a spot that could bring me back to that feeling, and that’s how I ended up at Tacos El Rey. After living in Europe for the past two years, traveling and trying food in different countries and restaurants, I can confidently say: this has been the best taco experience I’ve had in Europe. Hands down. The first time I tried it, it genuinely felt like I was back home, eating at one of my favorite taco spots. The space itself is simple and open, with light wood tables, red stools, and green tiled walls. A brick divider runs through the room, but nothing feels closed off.

It’s the kind of place where the focus stays on the food, not on overdesigning the space. There’s also a small nook upstairs for when it gets busy, with a red accent wall and round lights along the way. But my favorite spot is in the back room, where there’s a small window into the kitchen, so you can peek inside, watch the tortillas being hand-pressed, and hear the meat sizzling as orders come through. I immediately felt like I had to try everything on the menu. And when I say everything, I mean everything. Ribeye “El Rey” (my favorite), quesabirria, chorizo verde, carnitas de pato, quesadilla de chicharrón, nopales con queso, and every single thing was amazing. When my aunt came to visit me from Mexico, I had to take her. She’s a very picky Mexican when it comes to food, and she loved it. What stood out the most for both of us was the masa; the tortillas are spot on. And honestly, if the tortilla isn’t good, it’s probably not a good taco. Hand-pressed from blue corn using the traditional nixtamal method, then grilled fresh before being filled with slow-cooked meats and classic toppings. On the drinks side, I tried margaritas, micheladas, and a paloma (made with Patrón tequila), and they were all just as good. I think I’ve officially found my go-to place whenever I’m missing home, and that, as a foreigner living abroad, means everything.

Text: Karina García Palacios / Photos: Mohit Amlani

Karina García Palacios was born and raised in Mexico, and over the past few years, Europe has become a place she keeps coming back to. She first visited Berlin in 2022 and completely fell in love with the city.

Tacos El Rey, Graefestr.92, 10967 Berlin-Kreuzberg⁠; map

@tacos.el.rey.berlin

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FRAMES FOR ETERNITY: A VISIT TO ECKE & KANTE’S WORKSHOP — RECOMMENDED BY CATHERINE PETER

FRAMES FOR ETERNITY: A VISIT TO ECKE & KANTE’S WORKSHOP — RECOMMENDED BY CATHERINE PETER

A well-chosen frame protects, preserves and focuses artwork. Anyone who has ever wanted to put a photograph, print or drawing behind glass knows the dilemma: how does one decide on the perfect combination of moulding, glass and mat from the endless possibilities? That’s where expert advice helps, and I’ve been finding exactly that for a year at Ecke & Kante, a young framing studio whose very name promises a touch of Berlin cleverness. In the former headquarters of the East German news agency, just across from Soho House, founders Philipp König and André Simonow have set up their workshop on the fourth floor. In the loft-like rooms, with the comforting scent of wood in the air, the Fernsehturm seemingly within reach, and trams gliding endlessly past, a very pleasant Berlin urban feeling sets in. This time, I brought a black-and-white photograph in for a special frame. André, who is also a photographer, recommended a Dutch-style moulding with dark brown tones that beautifully accentuate the greys. That both founders are artists themselves — André studied photography at Ostkreuz; Philipp studied art at Weissensee — is evident from the preliminary discussions. André is known among connoisseurs for his charming Simonow collection and runs the exhibition space Paintshop at Hermannplatz. Philipp captures the world with clever drawings, which he regularly shares on Instagram.

Text & Photos: Catherine Peter

Catherine Peter is a photographer and photo editor for Weltkunst magazine. In 2021, she moved from Paris to Berlin and has been happily living in this big, strange city ever since.

Ecke & Kante, Mollstr.1, 10178 Berlin–Mitte; map

@ecke_und_kante_bilderrahmen
@andre_simonow
@sammlung_simonow
@philking77
@paintshop.berlin
@_catherine.peter

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WHERE TO CELEBRATE THE YEAR OF THE FIRE HORSE IN BERLIN — RECOMMENDED BY ALICE M. HUYNH

WHERE TO CELEBRATE THE YEAR OF THE FIRE HORSE IN BERLIN — RECOMMENDED BY ALICE M. HUYNH

Every year, I look forward to the New Year. Sometimes it’s the Year of the Water Monkey, then the Year of the Wood Snake or, as will be the case on February 17, 2026, the Year of the Fire Horse. Perhaps you’ve heard of this before, or maybe you’re wondering why I seem to be a few months off. Unlike in the West, many countries across East and Southeast Asia — especially China, Vietnam, Singapore, Taiwan, and South Korea — celebrate the Lunar New Year according to the traditional lunisolar calendar. It’s also known as Chinese New Year (Spring Festival), Seollal in Korea, or Tết in Vietnam. Because the celebration follows the lunar calendar, the date shifts each year in the Gregorian calendar. The twelve zodiac animals rotate annually, and we are now moving from the Year of the Wood Snake into the Year of the Fire Horse. The importance of this holiday becomes particularly visible in the news. Around this time, one of the world’s largest annual migrations takes place as millions of people travel home to celebrate with their families. Homes are cleaned and decorated, altars are prepared, and new clothes are worn, especially in red, a color associated with luck and prosperity. Red envelopes filled with money — hongbao in Chinese or lì xì in Vietnamese — are among the most cherished gifts. And, of course, food plays a central role, often tied to symbolism and superstition. (read more)

A whole steamed fish represents abundance and prosperity. Dumplings resemble gold ingots and symbolize wealth, long noodles stand for longevity, and sweet rice balls express unity and togetherness. Because of this deep cultural meaning, the Lunar New Year is celebrated widely across the diaspora as well. Berlin, too, offers plenty of places to mark the occasion with festive dishes. At Moii Café in Charlottenburg, a small but charming Taiwanese café, you’ll find mooncakes alongside beautifully crafted cakes and drinks. My favorites are the Osmanthus latte with jelly, the milky jasmine tea cake, and the mango sponge roll. For a classic celebratory meal, Jolly Restaurant is a longtime favorite, known for its Peking duck: crisp, lacquered skin and tender meat wrapped in thin pancakes or baos with sweet hoisin sauce. Perfect for sharing with family and friends.

At Dumpling Nian, combine two lucky dishes on one table: steamed sea bass with ginger and spring onions in soy sauce, alongside handmade dumplings filled with pork and Chinese cabbage, shrimp, or beef and carrots. Weekend brunch at Meet You Restaurant is another highlight. Their Shanghainese menu includes homemade dumplings, xiao long bao (soup dumplings), jianbing (crispy Chinese crêpes), baos, chili wontons, and warm soy milk. My tip: come with a group and share everything. If you’re craving southern Vietnamese comfort food, Saigon Cơm Niêu is my personal go-to. Alongside dishes like Bánh Canh Cua (a spicy crab noodle soup), they serve Thịt Kho Tàu, caramelized pork belly with whole eggs, traditionally eaten during Tết. The round eggs and square pieces of pork symbolize harmony, completeness, and family unity.

For a more cultural experience, visit Linh Thứu Pagoda during the holiday. Besides the beautiful temple setting, there’s vegan food, music, and the chance to light incense and make wishes for the year ahead. The celebrations continue at Dong Xuan Center, where you’ll find handmade bánh chưng and bánh tét (sticky rice cakes wrapped in banana leaves with mung beans and pork), red sticky rice (xôi gấc), and varieties of chè desserts. For Korean New Year traditions, Han BBQ offers an all-you-can-eat samgyeopsal (pork belly) barbecue until 17.02.2026, including rice, banchan, and salad. And at Dotori, a special four-course menu inspired by traditional Korean New Year dishes is paired with Korean beverages, an elegant way to welcome the Year of the Horse. However you choose to celebrate, the Lunar New Year is ultimately about gathering, sharing food, and starting fresh together. Berlin offers many ways to do just that.

Text: Alice M. Huynh / Photos: Matthieu Joannon, Alison Pang, Robyn Steffen

​​Alice M. Huynh grew up in the Allgäu Alps and has called Berlin home for over a decade. After beginning her career in New York’s fashion industry, she slowly turned toward what truly excites her: travel and food. Today, she works as a content creator focused on lifestyle, culinary culture, and travel.

Moii Café, Fasanenstr.46, 10719 Berlin–Charlottenburg; map

Jolly Restaurant, Am Kupfergraben 4/4a, 10117 Berlin–Mitte; map

Dumpling Nian, Eisenbahnstr.4, 10997 Berlin–Kreuzberg; map

Meet You Restaurant, Fasanenstr.41, 10719 Berlin–Charlottenburg; map

Saigon Cơm Niêu, Bülowstr. 9, 10783 Berlin–Schöneberg; map

Han BBQ, Kantstr.120/121, 10625 Berlin–Charlottenburg; map

Dong Xuan Center, Herzbergstr. 128-139, 10365 Berlin–Lichtenberg; map

Dotori, Gustav-Adolf-Str.159, 13086 Berlin–Weißensee; map

@alicemhuynh
@moiicafeberlin
@dumplingsnian
@meetyou.china
@saigoncomnieu
@hanbbq.berlin
@dotori.berlin

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“IRGENDETWAS IST PASSIERT”: A PLAY BY & WITH FABIAN HINRICHS — RECOMMENDED BY ANTJE DRINKUTH

“IRGENDETWAS IST PASSIERT”: A PLAY BY & WITH FABIAN HINRICHS — RECOMMENDED BY ANTJE DRINKUTH

Irgendetwas ist passiert is a new play by and starring Fabian Hinrichs, in in artistic collaboration with René Pollesch, at the Berliner Volksbühne. The seemingly casual title captures exactly what the play explores: the feeling that the world has gone off its hinges, even as everyday life continues as normal. Hinrichs stands alone on stage, performing dual roles as the couple Claudia and Paul in a rapid back-and-forth. Their dialogues oscillate between separation and closeness, despair and banal intimacy. When Paul, after an argument, suggests watching the news together and offers a massage, it encapsulates the ambivalence of a relationship that was once rooted in deep love, formed on that evening when a reactor exploded in Fukushima. Global history and private biography are intertwined from the very beginning. This connection runs throughout the evening. Hinrichs plays with his characteristic nervous, intelligent, and self-ironic precision. He indicts life, love, and political madness, teetering between attack and surrender. While arguments unfold in a minimalist suburban home over salad or an overpriced kitchen countertop, war sounds, news fragments, and images of violence intrude through sound and projection.

Claudia withdraws, watches pornography, and then the focus shifts again to the war in Ukraine and Israel’s violence in Gaza. Before going to bed, American Psycho plays, immediately followed by images of destroyed cities. The urge to smash the TV becomes the cry of a generation that is permanently informed yet simultaneously powerless. The relentless juxtaposition of bourgeois comfort and global catastrophe pushes the play to its moral limit. Luxury advertisements flicker across the screen, private dialogues and political abysses collide. Anger, overwhelm, and quiet moments alternate. Dramaturgy and technical design are so finely balanced that not a single moment of the ninety-minute performance feels dull. Memories of the Pollesch solo evenings are unmistakable, most recently Ja nichts ist ok. Yet Hinrichs goes a step further. Created with his wife, Anne Hinrichs, the piece is radically personal, focusing on the existential doubts of a relationship amid multiple crises. Critics’ accusations of melodrama and moralizing were to be expected. But its immediacy strikes a raw nerve: informed, overwhelmed, privately entangled, politically paralyzed. A theater evening that hurts, is intelligent, and lingers long after. Go see it!

Text: Antje Drinkuth / Photos: Apollonia Theresa Bitzan

Antje Drinkuth is a professor of fashion design and has lived in Berlin since 1987.

Volksbühne am Rosa-Luxemburg-Platz, Linienstr. 227, 10178 Berlin–Mitte; map

Irgendetwas ist passiert by Fabian Hinrichs, Anne Hinrichs & René Pollesch, 08. & 15.02. (sold out), 14. & 22.03.2026. Get tickets here.

@volksbuehne_berlin
@antje_drinkuth

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DER KLEINE AUGUST: A BUZZING NEW CORNER FOR FRENCH WINE IN MITTE — RECOMMENDED BY FIONA LAUGHTON

DER KLEINE AUGUST: A BUZZING NEW CORNER FOR FRENCH WINE IN MITTE — RECOMMENDED BY FIONA LAUGHTON

Some discoveries feel distinctly Berlin: a quiet, gallery-lined street; a soft glow through the window on Mitte’s Auguststraße that carries a sense of instant belonging. Warm, unpretentious, and humming with energy, Der Kleine August is the kind of bar that invites you in — and convinces you to stay. The interior leans understated: textured surfaces, gentle lighting, shelves of French bottles that hint at depth rather than put it on display. The team, in their bleu de travail jackets, sets the tone quickly — welcoming, attentive, unfussy. Even in its early days, the bar operates with a natural ease. French wine culture is the anchor here, but without formality. The staff translates a thoughtful wine list into accessible, lively conversation. Whether you’re a casual drinker or deep into terroir talk, you’ll find a way in. The selection feels curated for character, not trends. Small plates keep pace: charcuterie sliced to order, cheeses chosen with intention, sardines by the tin—pairings that complement rather than compete. Everything encourages slow sipping, sharing, and, oops, staying longer than planned. What sets Der Kleine August apart is its mood — buzzing but calm, intimate without being insular. It sets the stage for first dates that fade into the background hum, friends huddled around tables, and solo guests who slip easily into the room’s rhythm. Grab a seat at the bar and witness a place that hosts as much as it serves. For anyone seeking a new wine bar in Mitte that balances quality with approachability, Der Kleine August lands confidently between the two. It’s a fresh addition to the neighborhood — and one that already feels here to stay.

Text: Fiona Laughton / Photos: Marie Staggat

Fiona Laughton is a Berlin-based strategist, writer, and founder of Present For The Future. Originally from Melbourne, Australia, she has been living in Berlin since 2013.

Der Kleine August, Auguststr.23, 10117 Berlin–Mitte; map

@derkleineaugust

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