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CROISSANT SESSIONS: ART WEEK, FASHION CROWD, PARTY VIBES — AND YOU?

CROISSANT SESSIONS: ART WEEK, FASHION CROWD, PARTY VIBES — AND YOU?

September in Berlin means having more events than your calendar can hold. But at the next Croissant Session (12.09.2026), you can tick everything off that makes for the perfect Saturday, in one go. This edition of the Cee Cee-initiated event series takes place in partnership with girocard at the home base of fashion hub Platte Berlin. Fashion inspo: check. It’s also part of the official Berlin Art Week program, which drops you right in the middle of the art weekend and, conveniently, right in the middle of Mitte, with countless galleries just around the corner.

On top of that, you’ll get everything that belongs to a perfect Saturday morning: good brunch vibes with matcha and croissants (did someone say free mini croissants for early birds?). And if you want that going-out-before-noon feeling, DJ Daniel Wang will be on site. Daytime party: check.

And to bring things full circle back to fashion, you could walk away from the event in a brand-new outfit, since the limited-edition Croissant Sessions T-shirt will be available on site, as always. This time it’s black (fitting, given it’s Berlin Art Week). So bring your girocard. On top of the Croissant Sessions T-shirt, design your own shirt on site, courtesy of a DIY station from Spreadshirt. Saturday shopping with local fashion: check.

The only thing left to do right now is put the event in your calendar and RSVP. Check?

Text: Nina Trippel / Photos: Ben Mönks, Sebastian Navarro, Grafik: Cee Cee Creative

Platte, Memhardstr.8, 10178 Berlin–Mitte; map

Croissant Session x Platte x girocard 12.09.2026 11–15h. Free entry, RSVP here.

@ceeceeberlin
@ceeceecreative
@platte.berlin
@girocard

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CLIMBING THE WALLS: TRISHA BROWN’S DANCE AT THE NEUE NATIONALGALERIE

CLIMBING THE WALLS: TRISHA BROWN’S DANCE AT THE NEUE NATIONALGALERIE

Seven dancers, harnessed into ropes and body rigs, stride upright along a museum wall, as if gravity were only a matter of negotiation. When Trisha Brown premiered “Walking on the Wall” at the Whitney Museum in 1971, she flipped the laws of dance ninety degrees with a remarkably simple gesture. What classical ballet celebrates as the virtuoso conquest of the vertical, she relocated to the horizontal. She showed that walking, the most banal of all movement patterns, needs neither pointe work nor leaps to defy gravity.

The choreographer, whose body of work (over a hundred pieces in all) established her as one of the most inventive figures in postmodern dance, always treated movement as research: where does everyday life end, and where does performance begin? “Walking on the Wall” remains, to this day, one of the key works in answering that question. Now, nine years after Brown’s death, and in close collaboration with the Trisha Brown Dance Company, the piece finds a new starting point on the glass façade of the Neue Nationalgalerie, staged to mark the 250th anniversary of American independence.

To kick off Berlin Art Week, the museum presents the fifth edition of its festival Perform! from 09.-13.09.2026, curated by Klaus Biesenbach, Lisa Botti and Gregor Quack. Walking on the Wall is performed daily at 17h on the terrace, with additional showings on Sunday at 14h and 18h30. Alongside it, Berlin-based artist Kianí Del Valle presents a site-specific work with her KDV Performance Group, “Instrucciones para existir,” conceived as an homage to Trisha Brown and a response to Mies van der Rohe’s iconic building.

On the festival’s closing Sunday (13.09.), Miriam Kongstad, Deva Schubert and Josh Johnson join the lineup, rounding out the program with pieces of their own. Admission to the performances is free, and registration is generally not required. When space runs short, it’s simply first come, first served. And even with solid ground underfoot on the terrace, watching it all unfold feels, for a moment at least, completely untethered.

Text: Laura Storfner / Photos: Ivan Erofeev, Credits: Instrucciones Para Existir (Instructions for Existing), KDV Performance Group, 2026, Direction, Concept & Choreography : Kianí Del Valle, Original Sound Score: Devonté Hynes; Miriam Kongstad, Hard Play, 2026, Photo: Andrej Lamut

Neue Nationalgalerie, Potsdamer Str.50, 10785 Berlin–Tiergarten; map

Perform! 09.–13.09.2026
Walking on the Wall daily 17h (Sunday additionally 14h & 18h30)

@neuenationalgalerie

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STYLE ON PRESCRIPTION: THE NEW RICHERT BEIL STORE

STYLE ON PRESCRIPTION: THE NEW RICHERT BEIL STORE

This pharmacy offers healing, at least for anyone searching for a particular style that has become shorthand for Berlin itself: all-black, edgy, gender-neutral.

Since 2014, designers Jale Richert and Michele Beil have been experimenting with silhouettes and materials under their label Richert Beil, deconstructing old forms and building new classics in their place. The blazers, shirts, coats, jeans and accessories fit anyone looking to channel the free spirit of these collections.

In the summer of 2026, Richert Beil opened their first standalone store in a former pharmacy in Kreuzberg. The space doubles as a showroom, atelier, and workplace for the entire team. But above all, it’s an interdisciplinary space. A place of encounter that also offers a stage to other creatives, provided their projects align with the brand’s philosophy.

Food is set to play a role too, the thinking being that it’s assembled from many ingredients, much like fashion, and when done right, the result is just as perfect. There’s a well-equipped kitchen on-site, along with plans to serve gluten-free soul food, quite possibly straight out of the window. The pharmacy is a project in motion, a place that keeps creating new possibilities… like tracking down the perfect coat for winter, for instance.

Text: Olga Blumhardt / Photos: Jihun Ko

Richert Beil, Muskauer Str.41, 10997 Berlin–Kreuzberg; map

@richertbeil

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EIS-CAFÉ SUPRISE: WARMTH IN WEISSENSEE SINCE 1979 — RECOMMENDED BY VALERIJ STEFANISCHIN

EIS-CAFÉ SUPRISE: WARMTH IN WEISSENSEE SINCE 1979 — RECOMMENDED BY VALERIJ STEFANISCHIN

For a traditional afternoon coffee and cake, Eis-Café Surprise in Weißensee is my perfect spot. I’m continually amazed by the unwavering, grandmotherly warmth with which Michaela Greupner and her team run this café.

Michaela Greupner started there as a waitress in the ’90s and took over as the new owner a decade later. As a result, she knows every regular who has been coming by for years. The moment I step through the door, I’m struck by the atmosphere of a truly special place. A wood-paneled counter, red fabric on the benches and chairs, floral tablecloths, and real cut flowers — their own still life. Something nostalgic stirs in me. Orchids on the windowsill, just like at my grandmother’s, complete the cosiness.

The cake display case is generously stocked with homemade treats. Poppyseed cake and blueberry cream torte. Black Forest gateau and Viennese apple cake. Chocolate ring cake as well as Eierschecke. I struggle to decide every single time. The menu doesn’t make it any easier. A variety as abundant as the filled cream puffs, as colorful as the Tropicana sundae. The classics are all here: banana split and spaghetti ice cream, hot fig or fire cherry. Alongside my classic filter coffee, I order a peach melba and watch it being assembled with precision and devotion, despite every seat inside and out being taken. Vanilla ice cream, peach, cream, syrup, praline crunch, wafer. I tuck in with as much devotion.

Ice cream in a cone or a cup is on offer too, and it’s just as homemade: soft-serve, milk-and-cream ice cream, and sorbets. Strawberry matcha has recently joined the classics. For all its consistency, Michaela keeps an eye on the times.

I sit and watch the lively bustle of the coffee house. I linger. I observe. Regulars are greeted with hugs; their families are asked after. There’s always time for that here. As a guest, you’re in no hurry. Orders come in several rounds — the selection is, after all, as vast as the temptation itself, to which one surrenders without a shred of guilt. Even on a weekday, this is the perfect spot for a cup of café crema and streusel cake. Or perhaps Palatschinken instead? For me, on this sunny afternoon, there’s a lemon ice soda to cool down and Black Forest cherry gateau.

Text & Photos: Valerij Stefanischin

Valerij Stefanischin is an architect who has been studying photojournalism at the Ostkreuzschule für Fotografie in Weißensee since 2026. Born in Kazakhstan and raised near the Black Forest, he moved to Berlin in 2018 for his first job. Ever since, he’s preferred to explore his new home on foot — always on the hunt for authentic places.

Eis-Café Surprise, Langhansstr.136, 13086 Berlin–Weißensee; map

@eiscafe_surprise

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BERLIN’S LOST VISIONS — SIX S-BAHN TOURS REVEAL THE DEVELOPMENTS THAT NEVER CAME TO BE

BERLIN’S LOST VISIONS — SIX S-BAHN TOURS REVEAL THE DEVELOPMENTS THAT NEVER CAME TO BE

Olympia 2000? A university for meditation? Alongside all the building projects that have remade this city, Berlin is also home to plenty of unrealized developments – from sadly aborted dreams to schemes that make you wonder “What were they thinking?”.

In celebration of these 27 lost visions of the future, Japanese artist Akira Takayama has created a programme of six guided tours along the Ringbahn that tell the story of the transformative projects that never made it beyond the architect’s desk. What if Berlin is the name of the series, which runs until 20.09.2026 and is hosted by the Berliner Festspiele to mark the institution’s 75th anniversary.

Drawing from the Festspiele’s own archives as well as those of architects and cultural institutions, the tours are organized around themes such as the abandoned socialist projects of East Berlin and the cultural projects that sought to heal the city’s wounds. Each of the guided tours takes you on an S-Bahn ride covering a handful of the 27 stations that make up the Ringbahn, with starting and finishing points at Gesundbrunnen, Hohenzollerndamm and Sonnenallee. Once you have been on your orbital jaunt, you can vote for up to three of the 27 visions and help revive interest in them. Will it be “Radio Glasnost”, the “House of Young Talents” or the “Monument to Freedom and Unity”? The decision is between you, the S41 and the S42.

Text: Benji Haughton / Photos: Camille Blake, Agit Trains S-Wedding

What if Berlin until 20.09.2026. Tickets are available on the website.

@berlinerfestspiele

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