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THE FORWARD FESTIVAL RETURNS FOR ANOTHER EDITION: TWO DAYS OF PANEL TALKS, WORKSHOPS, EXHIBITIONS AND MORE

THE FORWARD FESTIVAL RETURNS FOR ANOTHER EDITION: TWO DAYS OF PANEL TALKS, WORKSHOPS, EXHIBITIONS AND MORE

Two days, three stages and a full program: The Forward Festival (14-15.09.2023) is back in the city, and this year it’s taking place at the Haus der Kulturen der Welt (HKW). There is hardly any other place better suited as a meeting spot and place of exchange – peppered with workshops, talks, tutorials and immersive installations around graphic design, advertising, film and photography, the halls of the house are transformed into a playground for the creative scene. To kick things off, there will be two talks with the branding agency Studio Dumbar / Dept® on the Main Stage and with the artist and graphic designer Simone Cihlar on the Forward Stage. The latter is best known for her imaginative, humorous collage work for musicians such as Tom Misch and Anderson .Paak. The well-known and exciting Sucuk und Bratwurst collective, which specializes in 3D art, will talk about how they came to be and share some insights into their various projects.

A highlight of the second festival day (15.09.) is certainly the Q&A with Director of Photography Luis “Pancho” Perez. Responsible for various music videos, including Tyler, The Creator’s Dogtooth and Sorry not Sorry, his work stands out for its evocative use of tone, editing and color. Author of the book “You are an artist” Aurélia Durand also appears as a speaker: The Paris-based artist dedicates her voice and platform to the representation of Afro-descendants. The festival will close on Friday with Coeval magazine‘s “Informatively Formative” exhibition. Here you can discover an interplay of different artistic genres with digital works and an extension into virtual spaces. Sounds a bit cryptic, but promising? Well, then it’s best to score some tickets and experience it for yourself.

Text: Sophie Doering / Photos: Sucuk und Bratwurst & Forward Festival

Forward Festival (14.–15.09.2023)
You can get tickets here.

@forwardfestivals

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FRAGMENTS OF FADED MEMORIES: BASTIAN GEBAUER AT HOTO — RECOMMENDED BY LAURA CATANIA

FRAGMENTS OF FADED MEMORIES: BASTIAN GEBAUER AT HOTO — RECOMMENDED BY LAURA CATANIA

Bastian Gehbauer‘s artistic interests are rooted in places and their stories. The Berlin-based artist and photographer does not necessarily have to have seen these places himself. In “Memories of a place I have never been… Part II,” opening at Hoto Berlin (25.08.2023), he presents found material from photo archives, connected into a narrative. The series “Phantasma” (2022), for example, focuses on the German-Jewish architect Harry Rosenthal and the studio house he designed specifically for the writer Arnold Zweig. The modernist building, like many of his realized designs, was altered beyond recognition during the Nazi era (by Heinrich Kleiner in 1938). Bastian Gebauer’s series gives the site in Charlottenburg-Wilmersdorf a ghostly character, affected by erasure and oblivion.

In addition, fragmented architectural drawings by the Jewish architect Martin Punitzer are shown. Like Rosenthal, he also managed to flee Germany in the 1930s. His plans for the Roxy Palast cinema were exiled with him, and after his death in Chile in 1949, most of them were destroyed in a fire. The individual works are connected by an expansive installation consisting of building elements of the so-called Boulevard Café, which was opened on Karl-Marx-Allee on the occasion of the 20th anniversary of the GDR. Another is the so-called Pinguin Café from the Dresden Zoo, a steel scaffolding structure that opened in 1972 and was stowed away in the city’s Lapidarium a few years ago. From there, some pieces have now made the journey (on a short visit) back to Berlin, so as not to be forgotten. The architects and architectures selected by Bastian Gehbauer stand as paradigms for biographies and works of art that fell victim to social oblivion. The exhibition impressively shows what changing political circumstances do to places and brings the legibility of the stories anchored in the buildings back into the present. If you want to evoke the memory of these and other interesting places, you can do so until 03.10.2023 in the Kreuzberg gallery, which, incidentally, is located in a former cinema.

Laura Catania is a graphic designer with a research-based focus on visual art and music. Her work in the contemporary art scene also finds expression in the curation of concert formats, such as the “Bar Palermo” series. She is co-founder of the music label “Heaven”.

Text: Laura Catania / Photos: Lukas Städler / Credit: HOTO & Bastian Gehbauer

Hoto Berlin, Bergmannstr.109, 10961 Berlin–Kreuzberg; map
Bastian Gehbauer – Memories of a place I have never been… Part II 26.08.–03.10.2023. Opening Fri 25.08. 18–21h

@bastiangehbauer
@hoto_gallery
@l.catania

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FROM THE SWABIAN ALB TO BERLIN AND THE WORLD — THE LABEL FOR SUSTAINABLE TEXTILES MERZ B. SCHWANEN CELEBRATES ITS BIRTHDAY

FROM THE SWABIAN ALB TO BERLIN AND THE WORLD — THE LABEL FOR SUSTAINABLE TEXTILES MERZ B. SCHWANEN CELEBRATES ITS BIRTHDAY

What do the series The Bear and Merz b. Schwanen have in common? Actor Jeremy Allen White as chef Carmen (Carmy) – almost always in that one white T-shirt. If, like me, you fell down a rabbit hole a few weeks ago when the second season aired, you may have gotten a taste for the show’s costumes. The focus is on workwear – practical, but made to a high standard. It’s no surprise that Merz b. Schwanen comes close. Originally founded in 1911 and revived in 2011 by Gitta and Peter Plotnicki, the label for sustainable textiles looks back on a history rich in tradition. Today, the repertoire of designs ranges from the aforementioned white T-shirt to unisex twill jackets and bucket hats. For the production of the Good Originals collection, 100-year-old loopwheeler knitting machines are used, which are operated by hand in the Swabian Alb. High-quality, certified sustainable materials are also used: everything is natural, the certified organic cotton is sourced from Greece; linen, mulesing free merino wool, and cashmere make the Good Basics collection, which is made in Portugal, feel particularly comfortable to wear. Since it’s best to get an impression of clothing in person, Merz b. Schwanen is celebrating the one-year anniversary of its Berlin flagship store in the Scheunenviertel on 31.08.2023. Not only can you try out the collections, but you can also customize your own shirt with textile paint and stamps – drinks and tunes included!

Text: Sophie Döring / Photos: Lil Summer & Peter Plotnicki

Merz b. Schwanen Store, Gormannstr.25, 10119 Berlin–Mitte; map
Birthday party 31.08.2023 16–20h

@merzbschwanen

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VON HAND — SUSTAINABLE FLOWERS & SEASONAL VEGETABLES FROM THE SOURCE, TO THE MARKET AND INTO THE MOUTH

VON HAND — SUSTAINABLE FLOWERS & SEASONAL VEGETABLES FROM THE SOURCE, TO THE MARKET AND INTO THE MOUTH

It’s finally Saturday and the way leads to Zehlendorf – directly to the flower stand of Sonja and Jim Reifferscheid, the creators of Von Hand. Here you can find everything your heart desires: flowers, herbs and grasses, perennials and annual cut flowers. There is not a week in the year in which not even a branch makes it into one of my vases – preferably an indication of each season and from the region. The month of August is at its best and the flower stand is a splendor of vibrant pink and yellow. Countless containers full of dahlias, roses, ox-eyes, zinnias, snapdragons, as well as burnets, thyme and fragrant phlox – a sea of cut flowers from the countryside. The neighborhood knows Sonja and Jim’s flower stand, and it’s not long before one bouquet after another leaves. The last of the fiery dahlias are gone – I have to hurry with my selection!

Back to Sonja and Jim: she is a cultural manager, he – a landscape architect. Both were drawn out into the countryside – away from the noise of the city and working on the computer every day. After taking over a former farm in Werder an der Havel, they founded their business Von Hand. On their 1.5 acre field they grow not only flowers, but also fruits and vegetables – following the ideals and approaches of permaculture, No-Dig methods and other ecological principles. They sow, harvest and process their plants and do so without the use of chemical fertilizers and pesticides and are part of the Slowflower movement. Their awareness of handwork and seasonality is what sets them apart. In the future they want to deepen and teach this through workshops about food, agriculture, handicrafts and sustainable floristry. A taster and daily companion is their vegetable box – full of seasonal varieties and also regional and gorgeous, like the flower selection at the stand in Zehlendorf.

Text: Milena Kalojanov / Photos: MERK & MARK

Hof von Sonja & Jim Reifferscheid, Bliesendorfer Str.55, 14542 Werder an der Havel; map

Flowers: Every Sat 09-15h (May to October), corner Argentinische Allee/Sven-Hedin-Straße, Berlin-Zehlendorf (near S-Bahn station Mexikoplatz)

You can find the vegetable box here. The size of the boxes varies seasonally in volume and offer. Delivery always on Tuesdays (southwest of Berlin, Werder/Havel and surrounding area)

@vonhand.gemuese.blumen

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EVERYTHING GOES UP IN FLAMES — THE “JUNK ETUDE: AN ETUDE FOR EXTINCTION” BY FLORENTINA HOLZINGER & TEAM AT THE PARKING LOT AT THE OLYMPIASTADION

EVERYTHING GOES UP IN FLAMES — THE “JUNK ETUDE: AN ETUDE FOR EXTINCTION” BY FLORENTINA HOLZINGER & TEAM AT THE PARKING LOT AT THE OLYMPIASTADION

The trigger warning: nudity, fire, stunts. The place: The parking lot at the Olympic Stadium. The concept: opera rituals, crash tests, experimental music. Excess and spectacle in front of fascist architecture? What sounds like the new play by Berlin’s current enfant terrible of the theater scene, Florentina Holzinger, is of course actually her new play. “Scrap Etude: An Etude for Extinction” is the name of the “musical composition for several percussion instruments, cars and burning bodies”, which will be performed for the first and only time on 30.08.23 at 21h. It is another of the musical experiments in public space, of which Holzinger and her ensemble have already realized several in and around Berlin since 2020. In parking lots, lakes, streets and squares, in places of hustle and bustle, traffic and transition. This time, she and her performers will be supported sonically by experimental composer Katharina Ernst and sound designer Stefan Schneider. And so, once again, movement, performance and dance, theater, concept and technology are explored, expanded and renewed, body and technology, machines and the sensual are brought together, dis- and reassembled into their individual parts. A hybrid spectacle. Not for the whole family, though. The recommended minimum age is 18 years and animals should rather stay at home. Instead, the entire Berlin art scene will once again be in attendance. On a parking lot in Spandau. This alone will be a spectacle without equal — and could not be staged by anyone else. 

Text: Hilka Dirks / Photos: Katharina Ernst / Credit: Étude for Disappearing ; Silke Briel; Schinkel Pavillon; Leon Hoellhumer

Florentina Holzinger & Team: Schrott Etüde: Eine Etüde für das Aussterben, Coubertiniplatz, 14053 Berlin–Spandau; map
Mi 30.08.2023 entry from 20h. You can get tickets here.

@floholzinger

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