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AN ICON TURNS 60: KINO INTERNATIONAL CELEBRATES A MILESTONE BIRTHDAY

AN ICON TURNS 60: KINO INTERNATIONAL CELEBRATES A MILESTONE BIRTHDAY

I know a cinema where everything is just right: the location, the architecture, the hand-painted posters on the façade, the heavy red velvet curtains, the bar in the lobby and, of course, the outstanding film program. I have spent countless hours in the wonderful cinema seats here. And, depending on the movie and how I’m feeling afterwards, for a very long time at the lobby bar… We’re talking about the legendary Kino International. Now this icon is celebrating its 60th birthday – with an extensive program, but more on that below! First, let’s go back in time: it’s November 15, 1963 and the Wall has been dividing Berlin into East and West for two years. Kino International opens its doors as the first premiere cinema in the former GDR. With its design, choice of materials and proportions, the building is one of the most successful new cinemas of the post-war period. The latest DEFA films premiered here, including Konrad Wolf’s “Solo Sunny”. It was designed by architects Josef Kaiser and Heinz Aust as a three-storey reinforced concrete skeleton structure clad in light-colored sandstone. Characteristic of the movie theater is the cinema hall projecting above the first floor with a spacious foyer – column-free and nine meters above the first floor with a large open glass surface facing Karl-Marx-Allee.

The stately building was designed for multifunctional use. The foyer hosted balls, rock concerts, political rallies – even hairdressing competitions. What is less well known is that even before the fall of the Wall, the Kino International was a window to the world and showed selected Western productions such as “Cabaret” and “Beyond Africa”. The film “Dirty Dancing” was shown six times a day in 1987 and was sold out for weeks. The premiere of “Coming Out”, the first queer film in the former GDR, took place on November 9, 1989. It was a doubly moving event for the guests, as it turned out afterwards. When the Curtain came down, so did the Wall between East and West. In 1990, the cinema was added to the city of Berlin’s list of monuments and this may have been its salvation. The cinema has been part of the Yorck-Kinogruppe since 1992 and is still a place of openness and exchange today. And so this birthday is being celebrated: a lavish program accompanies the celebrations until the film theater closes in spring 2024 – for a brief general refurbishment from the basement to the roof in line with the conservation requirements. My highlight is the open day (19.11.) with a screening of my favorite DEFA classics: “Three Hazelnuts for Cinderella”, “The Legend of Paul and Paula” and “Trail of Stones”. Architectural backstage tours (19.11.) provide a look behind the scenes. Every Sunday – for the next three months – a film will be shown that deals primarily with the GDR past: Films such as the Stasi drama “The Lives of Others” or the tragicomedy “Good Bye, Lenin!” are among the most successful films in Germany’s post-reunification history. A photo exhibition on the history of the building accompanies the celebrations. All that remains is to say: Happy Birthday, Kino International!

Text: Milena Kalojanov / Photos: Daniel Horn / Credit: Yorck Kinogruppe

Kino International, Karl-Marx-Allee 33, Berlin–Mitte; map
Special program to celebrate the cinema’s 60th anniversary. Register for the architectural tours on 19.11. at denkmal@yorck.de.

@kinointernational

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ART FULL OF SENSITIVE URGENCY: THE EXHIBITION “LUC TUYMANS – EDITH CLEVER” AT THE AKADEMIE DER KÜNSTE

ART FULL OF SENSITIVE URGENCY: THE EXHIBITION “LUC TUYMANS – EDITH CLEVER” AT THE AKADEMIE DER KÜNSTE

Whispered words in the foyer as you enter the Akademie der Künste’s location on Pariser Platz: it is Edith Clever’s voice that seeps almost imperceptibly into the ear canals in an invisible sound installation – and the first work in the exhibition “Luc Tuymans – Edith Clever” (until 26.11.2023), shown there. The show is the first in a new series by the Visual Arts department of the Berlin Akademie der Künste: members invite other members from different disciplines. So now the painter and the actress begin. And what a start it is! What at first seems like a contrast dissolves into almost self-evident parallels: Clever’s language, subtle and intense like Thyman’s colors and motifs; Thyman’s complex themes, pressing like the force of Clever’s monologues; their unique, brutal physicality as present as the violence in his visual oeuvre. Paintings and installations, video and textiles complement each other effortlessly, perhaps also supported by the works created for the exhibition, some of which are site-specific. The new concept of the Akademie der Künste succeeds brilliantly here. And whets the appetite for what comes next.

Text: Hilka Dirks / Credit: Luc Tuymans, Private collection; David Zwirner, New York London On loan from the Gesellschaft für Moderne Kunst in Dresden e.V. im Albertinum, Staatliche Kunstsammlungen Dresden; Syberberg Clever Monologe, film@syberberg.de / Photos: Studio Luc Tuymans, Ben Blackwell & Hans-Jürgen Syberberg

Akademie der Künste, Pariser Platz 4, 10117 Berlin–Mitte; map
Tue–Fri 14–19h & Sat–Sun 11–19h, entrance is free on Tuesdays.

Luc Tuymans – Edith Clever bis 26.11.2023

@akademiederkuenste

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FASTEN YOUR SEATBELTS — 26 ARTISTS IN THE FAST LANE OF AN OLD GARAGE

FASTEN YOUR SEATBELTS — 26 ARTISTS IN THE FAST LANE OF AN OLD GARAGE

Where once tires and oil were changed, there is now art on display. The group exhibition “Full Stop” takes us into a former garage. Architect and curator Inga Krumme brings together 26 artists for a pit stop: The works tell a nuanced and cross-media story of what moves the present on a large and small scale. Like splinters of the present, they come together to reveal a snippet of our world where things that were once broken have been made whole again. Paintings, sculptures and video works can be discovered in combination with the industrial flair of the rooms. Krumme juxtaposes well-known names such as Burkhard Held, who works as a professor at Berlin’s Universität der Künste, with newer artists. Among the exhibitors are many of Held’s former master students – including Shen Han, whose fragmentary color landscapes draw you deep into the surface.

Anna Nero’s candy-colored forms, which nestle together on the canvases, and Aline Schwörer’s fictional archaeological finds from a distant future can be physically experienced. Ulrike Bull’s wall objects shine like psychedelic comets, while Jinhee Kim’s figures gaze coolly out of backdrops into the distance. Together with the artists, Krumme constructs a show that always comes back to one question: What is the engine that drives the painterly?

Text: Laura Storfner / Credit: Julius Bobke & Ulrike Buhl

Full Stop at Art Kreuzberg e.V., Prinzessinnenstr.21, 10969 Berlin–Kreuzberg; map
11.–26.11.2023 Sat 16–22h & Sun 14–19h. Opening 10.11.2023 19h.

@warmgray8
@artkreuzberg

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SERIOUS MUSIC FOR THE AVANT-GARDE: MORITZ VON OSWALD AT THOMASKIRCHE & IDEAL ORCHESTRA AT KANTINE AM BERGHAIN

SERIOUS MUSIC FOR THE AVANT-GARDE: MORITZ VON OSWALD AT THOMASKIRCHE & IDEAL ORCHESTRA AT KANTINE AM BERGHAIN

Experimental music has a long tradition in Berlin. And even though Berlin Atonal is over and the CTM Festival is still a long way off, there are still two concerts this November that all friends of sound and noise should not miss. Next Thursday (16.11.2023), St. Thomas Church in Kreuzberg will open its doors to a pioneer of electronic music: “Silencio” is the name of Moritz von Oswald’s new project, which will be released by Tresor Records (10.11.). Instead of hard techno, the sounds become contemplative in keeping with the location: a 16-voice choir helps von Oswald with his latest explorations, which focus on the similarities and differences between human and electronic sounds. And the mood? “In Silencio, von Oswald digs out a damp haze and draws clouds over a distant pulse.” How very contemporary. And how very Berlin in November. Incidentally, the tickets are refreshingly affordable in the spirit of community. From the church to the Sunday service: the Kantine am Berghain will be a little less melodic, but similarly progressive, when Leipzig’s Ideal Orchestra plays (26.11.). The orchestra’s 23 musicians will generate a synergy of conducted improvisations and carefully crafted compositions, making themselves at home in a wide-ranging repertoire. From brutalist walls of noise to cinematic soundscapes, everything is included. Let this recharge your batteries at least until next year.

Text: Hilka Dirks / Photos: Robin Lambrecht / Credit: Gellért Szabó’s Ideal Orchestra / Still: Moritz von Oswald

Moritz von Oswald – “Silencio” Release Concert at St. Thomas Kirche, Mariannenplatz 28, 10997 Berlin–Kreuzberg, map
16.11.2023 at 20h30

Ideal Orchestra at Kantine am Berghain, Am Wriezener Bahnhof, 10243 Berlin–Friedrichshain; map
26.11.2023 at 20h

@moritzvonoswald
@gellertszabo

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SANDWICHES FROM SEOUL: THE KOREAN LOCAL “PERHAPS TODAY” AS GUEST AT UNKOMPRESS

SANDWICHES FROM SEOUL: THE KOREAN LOCAL “PERHAPS TODAY” AS GUEST AT UNKOMPRESS

One of my favorite places in Seoul is the restaurant “Perhaps Today” in Hannam. Slightly off the main street, the lovely owner, Heejin, serves natural wine, sandwiches, ice cream, and snacks there. Heejin is a born hostess whom everyone in the neighborhood knows: When she cooks in the small kitchen together with her staff, you feel right at home. But don’t worry: You don’t have to book a plane ticket to South Korea to try her creations. A visit to Uncompress in Kreuzberg next Saturday is enough. This is where Heejin will be guesting for a day on 11.11. with her pop-up project, “All Good Things.” With her, she has the bestsellers from Seoul: three focaccia sandwiches – one with salmon, one with ham, and one with pickled carrot. Her vegan tomato ragu – my favorite – is served as a dip with focaccia chips. If you want to make sure to try one of her delicious breads, it’s best to pre-order via her Instagram. And if you’re as big a fan as I am after the meal, you might as well get your hands on her Maybe-Today merchandise – to keep a piece of Seoul around in Kreuzberg for a bit longer. By the way, Heejin is moving on after Berlin: On the 25. and 27.11.2023, she will be cooking at La Station in Lausanne. And who knows… maybe she will come back to Berlin for a second round!

Text: Laura Storfner / Photos: Perhaps Today Hannam

Sandwich pop-up “All Things Good” at Unkompress, Fichtestr.23, 10967 Berlin-Kreuzberg; map
11.11.2023 from 17h

@unkompress
@perhaps.today.hannam

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