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THE WORLD AS A GUEST AT THE OPEN-AIR CINEMA: BOX OFFICE AROUND THE WORLD

THE WORLD AS A GUEST AT THE OPEN-AIR CINEMA: BOX OFFICE AROUND THE WORLD

The paths of major blockbusters are carefully planned: a worldwide theatrical release, multi-million-euro campaigns, and posters appearing in countless cities. At the same time, some films become sensations in their countries of origin but rarely make it beyond their borders. These are exactly the kinds of films that Box Office Around the World (07.–16.08.2026) brings to the Schlüterhof courtyard of the Humboldt Forum. Because even far away from the dream factory, films are being made that inspire millions of people. This is the case in Thailand, where audiences queue around the block for a film about a dog; in Nigeria, where a family comedy sparks weeks of conversation; and in Argentina, where a documentary moves an entire nation. Box Office Around the World brings these perspectives to the Schlüterhof courtyard of the Humboldt Forum. There, visitors can enjoy snacks and drinks under the open sky while watching films from Argentina, Brazil, India, Nigeria, Thailand, and Vietnam. Films that have broken box-office records in their home countries, sparked public debates, or achieved cult status. The experience becomes more special when, before each screening, guests from the respective communities share why a particular film has become so significant back home.

The program features some true discoveries. For example, Gohan, a Thai audience favorite about a dog whose life is intertwined with several human lives, appears to make audiences laugh and cry in equal measure. Or Batwara, which will be screened at the Humboldt Forum at the same time as its world premiere, and tells the story of the consequences of the Partition of India from the perspective of one family. Anyone who loves documentary cinema should make a note of Nuestra Tierra, which follows the years-long fight for justice after the murder of a member of the Chuschagasta community and is currently receiving significant attention in Argentina. And then there is Velhos Bandidos, a Brazilian heist comedy in which two retirees plan a bank robbery. Fortunately, the summer’s greatest coup does not require a getaway car — only a deck chair at Box Office Around the World.

Text: Emma Zylla / Photos: Frank Sperling, still from “Gohan”

Humboldt Forum, Schlüterhof, Schlossplatz, 10178 Berlin–Mitte; map
Box Office Around the World 07.–16.08.2026

@humboldtforum

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YOUNG EURO CLASSIC — EMERGING MUSICIANS FROM VIETNAM, UKRAINE, ESTONIA & BEYOND TUNE UP AT KONZERTHAUS BERLIN

YOUNG EURO CLASSIC — EMERGING MUSICIANS FROM VIETNAM, UKRAINE, ESTONIA & BEYOND TUNE UP AT KONZERTHAUS BERLIN

What happens when the kids come out to play? If you are at Konzerthaus Berlin this August, the answer is cross-border creativity and a whole lot of fresh musical talent. Yes, it’s the return of Young Euro Classic (31.07–16.08.2026), a festival where the world’s youth orchestras – which have long been training grounds for up-and-coming talent – descend on the Mitte concert venue for seventeen days of music. The program spans symphonies and solos and will see performances of works both within and far outside the western classical canon. This year the piano takes center stage, not least at the crowd-pleasing opening performance of Rachmaninov’s Piano Concerto No. 3 played by 25-year-old Georgian pianist Giorgi Gigashvili and conducted by Aurel Dawidiuk, also only 25 (if you managed to get tickets for this: well done!). Meanwhile, the European Union Youth Orchestra will be celebrating its 50th anniversary with more lush Rachmaninov in the form of Symphony No. 2, alongside Brahms’ Violin Concerto played by Spanish violin star-to-be María Dueñas (03.08.).

As in previous years, the Future Now strand of cross-cultural concerts invites artists from all over the world to collaborate, play together and improvise. Highlights include Lách Tách (02.08.), which pairs Vietnamese composer Lương Huệ Trinh’s electroacoustic soundscapes with Vũ Thị Thùy Linh’s traditional Ả Đào vocals for a musical meditation on time and memory. The Boys’ Choir of the Estonian National Opera also returns to its roots, with a whole evening dedicated to the country’s long choral tradition. And that’s not to mention the numerous national and international orchestras in attendance: the Orchestra of the Americas, performing together with Poland’s Penderecki Youth Orchestra, the Slovenian Youth Orchestra and of course the welcome return of the Youth Symphony Orchestra of Ukraine. You can catch all these ensembles bringing their virtuosic sounds to the Konzerthaus over the next few weeks – see the full program here.  

Text: Benji Haughton / Photos: Tom Schweers, Kai Bienert

Konzerthaus Berlin, Gendarmenmarkt 2, 10117 Berlin–Mitte; map
Young Euro Classic 31.07–16.08.2026. Tickets for the festival are available here.

@youngeuroclassic
@konzerthausberlin

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THE SUN WILL STILL RISE — SANDRA WOLLNER’S “EVERYTIME” CELEBRATES ITS BERLIN PREMIERE UNDER THE OPEN SKY

THE SUN WILL STILL RISE — SANDRA WOLLNER’S “EVERYTIME” CELEBRATES ITS BERLIN PREMIERE UNDER THE OPEN SKY

There are those unsettling moments after receiving bad news: the underground train arrives on time, the sun suddenly comes out, the traffic light turns green. Even though everything has just shifted, the world simply carries on. It’s this feeling that forms the starting point of Sandra Wollner’s new film Everytime. The story begins with the sudden disappearance of the young Jessie. Left behind are her mother, Ella, her little sister, Melli, and Lux, whom everyone blames. Rather than telling a classic story of grief, Wollner is interested in what happens afterwards: future dreams that will never come true and the search for answers that no one can provide. Berlin and Tenerife become settings for a reality that increasingly slips away from familiar rules. Anyone who has seen The Trouble with Being Born will know Wollner’s talent for creating moments of unease. With Everytime, she pushes this approach even further. Cinematographer Gregory Oke (Aftersun) captures crystal-clear, dreamlike images: sunlight that is both warming and harsh, and richly layered perspectives. It’s hardly surprising that the film won the top prize in the “Un Certain Regard” section at Cannes. For anyone who would like to see the film before its official cinema release, there is an opportunity on 31.07.2026. The Hasenheide Open-Air Cinema will screen Everytime as an open-air preview in its original version with English subtitles. The film starts at 21:15hr. If you only spend one summer evening at the cinema under the open sky, this should be the one.

Text: Leo Sandmann / Credits: Everytime, The Barricades Panama Film, Gregory Oke

Everytime by Sandra Wollner. You can find all screening dates here.

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25 YEARS OF THE JEWISH MUSEUM — FAMILY SUNDAY SERIES CELEBRATES WITH FREE PROGRAM OF CULTURAL ACTIVITIES

25 YEARS OF THE JEWISH MUSEUM — FAMILY SUNDAY SERIES CELEBRATES WITH FREE PROGRAM OF CULTURAL ACTIVITIES

It’s 25 years since the Jewish Museum Berlin fully opened to the public, and in that time, visitors to the center have regularly queued round the block. They come to see the modernist, discordant zig-zag extension designed by American architect Daniel Libeskind, and to visit a roster of exhibitions forever coming up with original – and often unexpected – angles on Jewish life. To celebrate 25 wave-making years, the museum is hosting a series of Family Sunday events throughout 2026 where families with children aged 6 to 16 can attend free workshops, creative sessions and guided tours. This Sunday (26.07.2026) the program includes a guided tour for teens and young adults of Between the Lines, an exhibition exploring the architecture of the museum. Younger visitors can also discover Daniel Libeskind’s architecture for themselves at The Crooked House workshop. Meanwhile, the story of Noah’s Ark is given fresh context at the Ark Building workshops, where children can help build a boat and discuss what the Biblical tale teaches us today (sessions throughout the day). For families with a need to knead, there are a number of bread-themed activities such as tours looking at the Biblical significance of loaves and the chance to watch flatbreads bake in the museum’s clay oven before sampling them yourself. These are just a selection of the highlights of the day – check out the full program and registration details here.

Text: Benji Haughton / Photos: Justus Lemm

Jewish Museum Berlin, Lindenstr.9–14, 10969 Berlin–Kreuzberg; map

Family Sunday 26.07.2026 10–18h. Entry is free of charge. Subsequent events: 16.08, 06.09, 25.10, 22.11, 06.12.2026.

@juedischesmuseumberlin

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A DECADE OF DEFINING, DARING CONTEMPORARY ART — KINDL CELEBRATES TEN YEARS

A DECADE OF DEFINING, DARING CONTEMPORARY ART — KINDL CELEBRATES TEN YEARS

Since opening ten years ago, the vast cathedral-like Kesselhaus at the Kindl Centre for Contemporary Art has housed installations that do indeed have a religiosity in their ability to provoke awe. From Mona Hatoum’s diagonal steel frame to Alfredo Jaar’s metal cube bathed in red light, these are ambitious artworks, realized at scale. This soaring fusion of art, architecture and history will be on full display this Saturday (18.07.2026) when the former brewery celebrates its tenth anniversary as an art venue. As well as an Open Studio at the Kesselhaus, the rest of the Centre will be offering a program of tours, workshops and performances, plus free entry to all exhibitions. Special shows include a five-hour performance by Montenegro-born artist Dante Buu, whose practice “extend[s] the body beyond its limits”, and “Oral is Moral” by choreographer Ania Nowak, a performance billed as an “open rehearsal of a striptease”.

Sound and video have always featured heavily in Kindl exhibitions, and so it is this Saturday: there’s a performance using the copper brewing vats by sound artist Daniel Meir, and a M1 VideoSpace retrospective that revisits seminal video works screened on the walls of the former machine room (now called “Maschinenhaus M0”). Rounding it all off is a program of outdoor music from DJ Saint September in the beer garden where you can raise a glass to a decade of defining, daring contemporary art.

Text: Benji Haughton / Photos: Lekker Collective, Daniel Meir, Uczu

Kindl Centre for Contemporary Art, Am Sudhaus 3, 12053 Berlin–Neukölln; map

Kindl Ten Year Celebration (18.07.2026), exhibitions open from 12h, program begins 16h.

@kindlberlin

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