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BERLIN, YOU’RE WONDERFUL, EVEN OUTSIDE THE RING — WITH AB INS B! DISCOVERY DAYS EXPERIENCE THE CITY ANEW

BERLIN, YOU’RE WONDERFUL, EVEN OUTSIDE THE RING — WITH AB INS B! DISCOVERY DAYS EXPERIENCE THE CITY ANEW

Like new leaves, spring is unfurling in Berlin. And while it felt perfectly okay to limit our radius of movement to work, sofa and late-night bars in winter, it doesn’t anymore. We can all feel it: the tingling in our bodies, the desire for new experiences. If you’re not southward-bound this Easter but still fancy a breath of fresh air, why not explore the city in a whole new way? “Ab ins B!” by Berlin Discovery Days is an opportunity to do just that. From 30.03. to 14.04.2024 over 250 different events are waiting to be explored across ten districts — all outside the Ring. Looking at the program, there’s so much to check out it’s hard not to get FOMO. Easter bonfires in the Britzer Garten in Neukölln, discounts at the boat rental in Treptow-Köpenick on the Müggelspree, or secret views of Berlin at a height of over 70 meters in Marzahn-Hellersdorf are just a few stand-outs on the program. Are you more interested in architecture? No problem, how about Hans Scharoun in Charlottenburg-Wilmersdorf, a guided tour of Bruno Taut’s Waldsiedlung in Steglitz-Zehlendorf, or a tour of industrial history in Siemensstadt?

Or is art more your thing? Then I recommend the textile wonders of Sofie Dawos in Dahlem, Carol Rhodes and Jenna Bliss in the Zehlendorfer Haus am Waldsee, or the guided tours in the Liebermann Villa in Wannsee. Want to get into summer vacation mode? Visit the indoor surf wave on Landsberger Allee. Have you been to the Köpenicker Strandbad Wendenschloss? Still too cold to go for a swim? Then let’s go to the sauna in Spandau. I don’t know about you, but I’m struggling to decide what I’ll be attending, everything sounds so good. A look at the full program only makes deciding harder. From forest bathing and scavenger hunts to bondage courses and literary tours in the footsteps of Rainer Maria Rilke, there’s something for everyone. Spring in Berlin is finally here, so off to the B with you. The whole program is available here.

Text: Rosa Herbel / Photos: Hendrik Wolter, Reederei Lüdicke & CanvaPro

Ab ins B! 30.03.–14.04.2024

@ab.ins.b

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EXPERIENCING ART WITH ALL FIVE SENSES — THE SPREEPARK ART SPACE OPENS WITH A GREAT PROGRAM FOR THE WHOLE FAMILY

EXPERIENCING ART WITH ALL FIVE SENSES — THE SPREEPARK ART SPACE OPENS WITH A GREAT PROGRAM FOR THE WHOLE FAMILY

The bridge between art and science is constantly shifting form and finding new places of expression. Whether at universities, in exhibitions or in educational programs, artistic research is booming. This weekend, another Berlin location that’s dedicated to interdisciplinary, experimental science is opening. The Spreepark Art Space in Treptow is located in the “Eierhäuschen”. The historic location opens on 23.03.2024 with the exhibition “Park Insights: Four Positions from Artistic Research“. Once an amusement park, the Spreepark is set to become a place of change and exploration, as well as a point of discussion for changing exhibitions. The park is a laboratory and source of inspiration for the hidden layers of the past, present and future. Participating artists and researchers of the first group exhibition include Marcus Maeder, Sabine Scho, Sissel Tolaas and Annett Zinsmeister. In “Park Insights”, the Spreepark is explored and experienced using all the senses. Sabine Scho’s park alphabet invites visitors to redefine the park through a linguistic and visual collage. Marcus Maeder creates a soundscape that overlays archived sounds of the park with images of the species living there.

With “Tracing Spreepark”, Annett Zinsmeister opens up a space for explorative searches for clues and transports visitors into an otherwordly spatial installation. Scent researcher and artist Sissel Tolaas presents a section of her scent mapping and explores the historical polarities of the park. Accompanying the exhibition, the opening program of the Spreepark Art Space invites visitors to a variety of events. Children and families can take part in an exciting search for clues through the “Eierhäuschen”, exploring its history. A flavorful journey through the Spreepark awaits visitors at the Kräuterbräu-Bar by Edible Alchemy, while Marcus Maeder brings the acoustic world of the park to life with a memorable sound performance, opening up new perspectives on a place of change and transformation.

Text: Hilka Dirks / Photos: Frank Sperling

Spreepark Art Space at “Eierhäuschen / Spreepark”, Kiehnwerder Allee 2, 12437 Berlin–Treptow; map

Free admission.

@spreeparkartspace

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MARCH MAKES THE MUSIC — MAERZMUSIK, A FESTIVAL FOR NEW MUSIC BY THE BERLIN FESTIVAL

MARCH MAKES THE MUSIC — MAERZMUSIK, A FESTIVAL FOR NEW MUSIC BY THE BERLIN FESTIVAL

After January comes February, and February is followed by Berlin’s MaerzMusik. Organized by the Berliner Festspiele for 22 years as the successor to the Musik-Biennale Berlin, the festival for experimental music has firmly established itself internationally. From 15.–24.04.2024, concerts, performances and artistic interventions will grace the Haus der Berliner Festspiele and other venues around Berlin. Installations, music theater and discourse formats invite exploration and discovery of the art and theory surrounding the multimodality of hearing. The program is so jam-packed and diverse that you’ll want to attend every single event. Audrey Chen and Hugo Esquinca, explore the limits of physical expression and technological manipulation of human sounds with their new work “Your Mouth Limb Dismembered, The Gradual Tongue Dissected” in the “Topographies of Hearing” series. Simon Steen-Andersen and Les Percussions de Strasbourg reinterpret Karlheinz Stockhausen’s astonishing composition “Musik im Bauch” for six percussionists and twelve music boxes. Erwan Keravec dedicates his concert to the aesthetic potential of the bagpipes, featuring pieces by Heiner Goebbels and Éliane Radigue, complemented by Philip Glass’s “Two Pages”. And these are just a few highlights from this year’s program.

The festival is complemented by various contexts, exhibitions and, of course, music. You can explore the entire program here. And if there’s one thing you shouldn’t miss, it’s the second part of the research project “Contemplations into the Radical Others” about the work of intermedia composer Lucia Dlugoszewski, who passed away in 2000. This follows last year’s presentation, opening historical, contemporary and future perspectives on the work of an impressive artist whose life was as contemporary and diverse as this year’s festival edition itself.

Text: Hilka Dirks / Photos: Christina Kubisch, Camille Blake & Christophe Urbain

MaerzMusik will take place from 15-24.03.2024 at the Haus der Berliner Festspiele and other locations in Berlin. Tickets and further information are available online.

@berlinerfestspiele

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PHOENIX ON THE ROOF: HANS UHLMANN AT THE BERLIN GALLERY

PHOENIX ON THE ROOF: HANS UHLMANN AT THE BERLIN GALLERY

One of Berlin’s most curious sculptures can be found on the roof of the Philharmonie. The sculptor Hans Uhlmann installed his Phoenix — a stylized bird with two broad metal wings — here in 1964. While artwork on buildings usually catches the eye, Uhlmann’s sculpture almost entirely eludes it. His Phoenix nestles so closely to the architecture that it’s nearly unnoticeable, symbolizing the artist’s work. Uhlmann’s works blend seamlessly into the Berlin cityscape. His steel spirals and columns wind towards the sky in the Hansaviertel, in front of the Deutsche Oper, and at the University of the Arts. Yet his name is unknown to most people today. The Berlinische Galerie aims to change that with the first comprehensive retrospective in 50 years. With around 80 sculptures and graphic works, the museum traces Uhlmann’s life and work from his artistic beginnings in the 1930s to his death in the 1970s. After studying mechanical engineering, the Berlin-born artist repeatedly tried his hand at sculpting, discovering wire early on as the main material for his works. When he was arrested in 1933 during an anti-fascist leaflet campaign and sentenced to one and a half years in prison, he filled his time in custody with the only activity left to him: drawing.

His artist friend Jeanne Mammen smuggled pencils and notepads into prison. After his release, he exhibited the ideas of the time. He created heads made of metal and iron wire. Uhlmann described his imprisonment as the “most important period” in his artistic development. Even if the fine wire figures later gave way to massive metal sculptures, the linear aspect always remained part of his formal language. While teaching at the Berlin University of the Arts in the 1950s, Uhlmann developed his own style further. Figurative explorations receded into the background; instead, Uhlmann was interested in how he could depict movement in space with reduced forms. His abstract formal arrangements made him one of the most sought-after artists in the young Federal Republic of Germany. Invitations to the Venice Biennale and documenta followed. In addition to elaborate art-in-building projects, he returned to drawing in his old age. In black chalk, he traced the permeability of his structures on paper and discovered the dynamism and spontaneity that were so important to him throughout his life. Uhlmann achieved what many are denied. His works emit a quiet power. Even if, like the Phoenix on the roof of the Philharmonie, they sink in the background at first glace.

Text: Laura Storfner / Photos: Anja Elisabeth Witte & Clemens Poloczek / Credit: Legal successors Ewald Gnilka/VG Bild-Kunst, Bonn 2023; Margot Schmidt, Hamburg, for the work by Hans Uhlmann: VG Bild-Kunst, Bonn 2024

Berlinische Galerie, Museum of Modern Art, Alte Jakobstr.124–128, 10969 Berlin–Kreuzberg; map
Hans Uhlmann: Experimental Forming until 13.05.2024 Wed–Mon 10–18h.

@berlinischegalerie

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FEEL, SEE, GIVE — PUT THE WHOLE WORLD OF FILM UNDER THE TREE WITH MUBI

FEEL, SEE, GIVE — PUT THE WHOLE WORLD OF FILM UNDER THE TREE WITH MUBI

As we all know, many things change as we get older. Two fundamental ones are the acceleration of time and the helplessness to answer the question: What do you actually want? While the wait for Christmas as a child felt like an eternity and the wish list was endless, this year the holidays have arrived far too quickly, and somehow you already have everything. For all those who still want to give presents to themselves and their loved ones, here is a recommendation that combines everything: romance and excitement, peace and comfort, pleasant creepiness, cathartic anger, and comforting sadness. There are a zillion different pictures, inspirations, and quotes — something for those who want to be alone or something to share with their loved ones. Bottomless fun and cultural education, full of journeys to the most distant worlds, all from the comfort of your own sofa. And something that definitely won’t be lying around unnecessarily. Sounds good? Works well too. We’re talking about Mubi, of course. Mubi, the cinema-on-demand service, curates classics and soon-to-be-classics on its streaming platform. The focus here is on great films. Highlights include Mathieu Kassovitz’s “La Haine,” Charlotte Wells’ award-winning drama “Aftersun,” Jim Jarmusch’s “Night on Earth,” and Ira Sach’s latest work “Passages.” These selections are constantly changing — you can never finish watching Mubi. At least that’s what my brother said when I gave him a subscription last year. Incidentally, it will simply be renewed again this year. How very practical!

Text: Lola Brody / Stills: Courtesy of Mubi

Mubi

You can gift great movies here.

@mubideutschland

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