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INTO THE UNKNOWN — EXPLORING THE 13TH BERLIN BIENNALE & ITS ARTISTS

INTO THE UNKNOWN — EXPLORING THE 13TH BERLIN BIENNALE & ITS ARTISTS

The 13th Berlin Biennale leads visitors through familiar and unfamiliar parts of the city, presenting a diverse program with unseen artistic positions from across the globe. Curator Zasha Colah has chosen the urban fox as a model for this year’s edition: a creature that roams the streets uninvited, slipping through gaps in the city’s fabric. Likewise, the participating artists and collectives take over the exhibition spaces. Many of the works resist immediate interpretation. What is exhibited is the resistant art that emerges from conflict zones or gives voice to their stories. At the former courthouse on Lehrter Straße — open to the public for the first time in over a decade — visitors encounter the powerful “Prison Paintings” by Burmese artist Htein Lin. After participating in pro-democracy protests in Myanmar in 1988, Lin was sentenced to seven years in prison by the military regime. Behind bars, he painted with whatever materials he could find: bed sheets became canvases, soap scraps became brushes.

Displayed near the adjacent former prison, the works bear physical and emotional traces of that time. Colah invites viewers to reflect on the site’s layered history, where anti-war activist Karl Liebknecht was once arrested, artists now question the boundaries between justice and injustice, and who gets to define them. The Biennale offers a global context, yet it does not follow the media spotlight. Instead, it illuminates voices often marginalized in the Western art world. At Hamburger Bahnhof, Jane Jin Kaisen presents a multimedia installation exploring the entangled histories of colonialism, trauma, and resistance on the South Korean island of Jeju. At Sophiensæle, performance, body, and narrative intersect in intimate, time-based formats. Overall, this year’s program occupies the edges of institutional practice. Many participating artists work collectively or in close collaboration with local communities, often in regions underrepresented in international discourse. For those seeking a slower, more dialogical experience, the Focus Tours offer a space for reflection and conversation. Guided by artists and mediators, these tours encourage deeper engagement and personal interpretation, far from the rushed pace of conventional exhibition visits. The next date is 09.08.2025, with Thesea Rigou, a Cypriot artist, educator, and gardener. Like the fox that inspired it, the 13th Berlin Biennale moves through urban interstices, curious, alert, often unnoticed, yet always present. You may not find immediate answers, but you’ll likely discover new ways of seeing.

Text: Laura Storfner & Nina Trippel / Photos: Marvin Systermans, Eberle & Eisfeld / Credit: Han Bing & Kashmiri Cabbage Walker; Helena Uambembe; Jane Jin Kaisen, VG Bild-Kunst, Bonn 2025

13th Berlin Biennale until 14.09.2025.

You can find the entire program here. Next focus tour 09.08.2025 16–17h at KW.

@berlinbiennale

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ALWAYS WORTH A VISIT: ART, GARDENS & COOKIES AT 75 YEARS OF THE GEORG KOLBE MUSEUM

ALWAYS WORTH A VISIT: ART, GARDENS & COOKIES AT 75 YEARS OF THE GEORG KOLBE MUSEUM

Sometimes you don’t need a new place, just a fresh perspective on an old one. The Georg Kolbe Museum is celebrating its 75th anniversary and showing exactly why this place continues to resonate. Originally built in the 1920s as a radically modern live-work space for sculptor Georg Kolbe, the house was transformed into a museum in 1950, becoming the first new museum in post-war West Berlin. Today, it’s a space that not only preserves the history of sculpture but also connects contemporary art to the human body, to architecture, and nature. To mark its birthday, the museum presents a rich program. Under the title Tea and Dry Biscuits, the exhibition toasts memory and reexamines it, with contributions from artists such as Álvaro Urbano, Cao Fei, Laure Prouvost, Danh Vo, Ruth Wolf-Rehfeldt, and, of course, Georg Kolbe himself. The show looks both back and ahead, asking how history is told and by whom. Between personal connections that have shaped the house and the institutional routines of preservation and curation, a critical reflection on memory emerges. This year’s garden installation is by David Hartt, whose work explores architecture, urbanism, and the ways spaces shape identity. His video piece Metabolic Rift examines the relationship between bodies, nature, and capitalism — a timely intervention in Kolbe’s former studio. And whether you come for the critique of capitalism, the dry biscuits, or simply a slice of apricot cake at Café Benjamine, there are plenty of good reasons to visit the Georg Kolbe Museum.

Text: Inga Krumme / Photos: Enric Duch & Nicolas Brasseur / Credit: VG Bild-Kunst; Georg Kolbe Museum

Georg-Kolbe-Museum, Sensburger Allee 25, 14055 Berlin–Westend; map

Tea and Dry Biscuits. An Anniversary Exhibition (until 28.09.2025)

David Hartt. Metabolic Rift (until 28.09.2025)

@georgkolbemuseum

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THE SOUNDS OF SUMMER — YOUNG EURO CLASSIC BRINGS EMERGING MUSICIANS AND EUROPEAN YOUTH ORCHESTRAS TO KONZERTHAUS BERLIN

THE SOUNDS OF SUMMER — YOUNG EURO CLASSIC BRINGS EMERGING MUSICIANS AND EUROPEAN YOUTH ORCHESTRAS TO KONZERTHAUS BERLIN

Indigenous Scandinavian joik singers and an award-winning beatboxer – music acts you might not usually picture playing amid the neoclassical columns and grand portico of Konzerthaus Berlin. But that’s just what you will be able to hear – along with classical orchestral performances – at the Young Euro Classic festival which kicks off tomorrow (01–17.08.2025). The series invites youth orchestras from across Europe to perform the likes of Mozart and Mahler, with a supporting line-up of concerts showcasing music from Bolivia, Gambia, India and beyond. Program highlights include the Ale, Ale! duo, who combine joik vocals from the Sámi people of northern Scandinavia with electronic and guitar textures. Their meditative soundscapes will fill the chamber-like Werner-Otto-Saal this Sunday (03.08.). It’s worth sticking around for the main concert that evening: a celebration of Andalusian culture as Spain’s national youth orchestra performs Isaac Albéniz’s “Iberia” suite in the Konzerthaus main hall. They’ll follow it up with one of the all-time classical treats: Stravinsky’s “The Rite of Spring” (03.08.).

Fast forward to 17.08 and you will be able to witness a genre-crossing blend of West African Griot storytelling and jazz from The Gam­bi­ana Trio – renowned for their infectious energy that will have you tapping your feet at the very least. Finally, the festival program will culminate in a performance by a group of musicians from a country where music is banned entirely: the Afghan Youth Orchestra, who will deliver a full symphonic concert mixing Afghan instruments with Western orchestration (17.08.). Silenced in their homeland in 2021, the young musicians are exiled in Portugal where – in a show of remarkable resilience – they continue to work. An ode to joy indeed…

Text: Benji Haughton / Photos: Kai Bienert, Tom Schweers

Konzerthaus Berlin, Gendarmenmarkt 2, 10117 Berlin–Mitte; map
Young Euro Classic 01–17.08.2025. Tickets for the festival are available here.

@youngeuroclassic
@konzerthausberlin

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LAKOU, ZEMI & THE CONTINUING IMPACT OF HISTORY — BWA KAYIMAN AT HKW

LAKOU, ZEMI & THE CONTINUING IMPACT OF HISTORY — BWA KAYIMAN AT HKW

Lakou is Haitian Creole, which means a piece of land. Or a small yard, but above all, a place where all the important aspects of living together take place. And it’s, in its etymological origin, the subtitle of this year’s Bwa Kayiman festival at the HKW. The festival is in its third year, once again offering a packed program of performances, rituals, discussions, poetry, music, food, film, and installations. It’s about sovereignty: as a conscious examination of forms of resistance, belonging, memory, and transmission. This includes performances such as Plidetwal – Rain of Stars, a poetic assembly in Haitian Creole and French (with simultaneous translation in parts). Or Tongue and Throat Memories, part of an ongoing series at the HKW that links food, memory, and identity. On August 1, chef Craig Wong invites visitors to Food Offerings in the Lili Elbe Garden with Patois Gathering from Asia to the Caribbean — creating a culinary connection to his Jamaican-Chinese heritage. None of the contributions will be concentrated on one stage, but spread throughout the building and deliberately designed to be open. Zemí is a word from the Taíno language and describes a form of spiritual presence that can manifest itself in objects, landscapes, ancestors, or gestures. This is precisely what Bwa Kayiman wants: to understand history as something that is not complete, but continues to have an effect in everyday life.

Text: Inga Krumme / Credits: Vibrations, Translations, Slim Soledad, 2023, Photo: Mayra Wallraff; Patois Toronto; Studio Bowe

Haus der Kulturen der Welt (HKW), John-Foster-Dulles-Allee 10, 10557 Berlin–Tiergarten; map
Bwa Kayiman – Lakouzémi 01.–03.08.2025. Find the full program here.

@hkw_berlin

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TWELVE NIGHTS TO DANCE THE NIGHT AWAY — “DURCHLÜFTEN” BRINGS A BREATH OF FRESH MUSICAL AIR TO THE HUMBOLDT FORUM

TWELVE NIGHTS TO DANCE THE NIGHT AWAY — “DURCHLÜFTEN” BRINGS A BREATH OF FRESH MUSICAL AIR TO THE HUMBOLDT FORUM

What began in 2021 has long been an integral part of the Mitte summer. Durchlüften, the open-air music festival in the Schlüterhof of the Humboldt Forum, is entering its fifth round and will once again bring fresh air and new sounds to the heart of the city. Over four weekends (17.07.-09.08.2025), Thursdays to Saturdays, 24 live acts and 12 DJs from all over the world will transform the historic courtyard into a vibrating sound space. The musical program is a cross-genre festival — easy to dance to, deeply rooted, and open to all. Admission? Free of charge. The festival is curated by music expert Melissa Perales, who is again creating a stage for artists from Africa, South America, and Asia, and for sounds that speak to identity, exile, decolonization, cultural transmission, and community. Odd Okoddo (Kenya/Germany), for example, combines “Dodo Blues” with the rhythms of Sven Kacirek; and Jeano Elong (Cameroon/Germany) brings the dance of the Mkoum to the stage as part of his musical escape story.

More highlights include the Minyo Crusaders (Japan/Colombia) fusing Japanese folk songs with Cumbia. Charif Megarbane lets his sound wander between Beirut, Nairobi, and Lisbon. And duo, Ibelisse Guardia Ferragutti & Frank Rosaly, bring together Brazilian, Bolivian, and Puerto Rican influences to create a musical experience between resistance and ritual. Aeration creates space for encounters, for exchange, for stories. For music that grows out of the realities of its makers. Come along, listen, and dance the night away. 

Text: Leo Sandmann / Photos: Frank Sperling, Lucho Vildales, Yukitaka Amemiya

Schlüterhof of the Humboldt Forum, Schloßplatz, 10178 Berlin–Mitte; map
Durchlüften 17.07.–09.08.2025, every Thursday–Saturday (free admission).

@humboldtforum

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