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UNVEILING THE FUTURE — GET EXCITED ABOUT SCIENCE AT BERLIN SCIENCE WEEK 2023

UNVEILING THE FUTURE — GET EXCITED ABOUT SCIENCE AT BERLIN SCIENCE WEEK 2023

Knowledge is power. And as the past and present painfully teach us, power should always be distributed as democratically as possible. Making knowledge and research more accessible and breaking down barriers is one of the central concerns of Berlin Science Week 2023. Initiated by the Falling Walls Foundation, the eighth edition of the conference (01.-10.11.2023) will feature more than 200 events with over 500 speakers over ten days under this year’s slogan, “Creative science, precise art.” Participating events are spread out at various locations throughout the city. Headquarters, however, are the Natural History Museum and the Holzmarkt (where this year, for the first time, the festival will come to an end in a large, joint club night). The topics are as diverse as the locations: From lectures on the quality of human presence to experiments with colorful slime molds and mineralogical exhibits to the pressing questions of our time: human vs. artificial creativity or gender bias in programming and science journalism in the digital age. And these are just a few examples. The entire program is rich; there is so much to listen to, watch, experience, and participate in it’s hard to decide. This is undoubtedly also due to speakers ranging from artists like Martin Eder to scientists and designers like Gesche Joost and health ministers like Karl Lauterbach. There will also be a party at the end: The Berlin Science Week Club Night will take place on 10.11.2023 at Holzmarkt 25. So, Science Week is anything but nerdy. And in turbulent times like today, it is certainly more relevant than ever before.

Text: Alina Herbel / Credit: Berlin Science Week

Berlin Science Week

The full schedule is listed here.

@berlinscienceweek

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THE INVISIBLE POETRY BEHIND TECHNOLOGY: POETICS OF ENCRYPTION CONFERENCE BY KW DIGITAL — RECOMMENDED BY ANNIKA VON TAUBE

THE INVISIBLE POETRY BEHIND TECHNOLOGY: POETICS OF ENCRYPTION CONFERENCE BY KW DIGITAL — RECOMMENDED BY ANNIKA VON TAUBE

Art and technology go great together in their curiosity for new things and striving to translate human imagination into something tangible. Yet art’s interest in technology tends to be mystically colored. It seems happy when it comes across as dark and inaccessible as possible, as a black box, black site or black hole. The more enraptured, the better. In the course of exploring this darkness, art can provide illuminating insights into the way technology works, but it can also lose itself in the occult fog. On 27 & 28.10.2023, the Poetics of Encryption conference hosted by KW Institute for Contemporary Art and organized by digital curator Nadim Samman will be devoted to art’s ambivalent relationship to technology, with a speaker lineup that includes artists Trevor Paglen and Jon Rafman and digital culture scholar Orit Halpern.

The venue is the former Delphi silent cinema in Weißensee. Once a place where the magic of technology created images as portals into another world, the venue could not be more fitting. The etymological origin of the word “encryption” goes back to the Greek verb kryptein (to conceal), crypt being a term for an underground vault in a sacred building. The encrypted is a hidden spiritual place, and a poetic thought. Those interested in AI, VR or NFTs are better off at other conferences: Poetics of Encryption is not about technology as an artistic medium, but rather the invisible infrastructure of the internet (server farms, network connections, hordes of data workers operating in secrecy, etc.) and how we might understand our own relationship to technology.

Text: Annika von Taube / Photos: Christian Werner / Credit: Andrea Khora; Most Dismal Swamp

Annika von Taube is founder of art and technology platform and newsletter Modern Meta. She writes and develops art and talk formats and advises companies on how to use art as a strategic companion in the field of tech.

Theater im Delphi, Gustav–Adolf–Str.2, 13086 Berlin–Weißensee; map
Poetics of Encryption 27. & 28.10.2023. Opening 26.10.2023. You can find the whole program and tickets here.

@kwinstituteforcontemporaryart
@modern_meta 
@electricpigeon

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THROWN INTO THE WORLD — ÁL VARO TAVARES D’GUILHERME’S EXHIBITION “NO CHURCH WILD” OPENS AT DITTRICH UND SCHLECHTRIEM GALLERY

THROWN INTO THE WORLD — ÁL VARO TAVARES D’GUILHERME’S EXHIBITION “NO CHURCH WILD” OPENS AT DITTRICH UND SCHLECHTRIEM GALLERY

The colors compress themselves on the canvas, tight and loud. They are frenzied and excited, yet gentle and curious. It is particularly difficult to separate painter Ál Varo Tavares d’Guilherme from his work. The artist, born in Angola in 1992, calls his distinctive painterly style Neo Brut. It refers to a reinterpretation of Art Brut – the art of autodidacts and outsiders that was established by a very important figure among the free spirits: Jean Dubuffet. D’Guilherme’s first major Berlin solo exhibition opens tomorrow (27.10.2023) at the Dittrich & Schlechtriem gallery on Mitte’s Linienstrasse. It’s a great idea for when the days are getting shorter and shorter: D’Guilherme’s massive oil colors draw curious passers-by into the illuminated basement of the exhibition space like light attracts moths, sucking the viewers into broken motifs and wild strokes. The city, life and suffering spread out and smear on the canvases. D’Guilherme draws from experience and feeling. The works defy interpretation, convention, and expectation; instead, they throw themselves into the world with such force that they continue to reverberate behind closed eyelids for a long time. “No church wild” is the name of the exhibition, which will be on view until 09.12.2023. Perhaps after your visit you will arrive at the same conclusion: that sometimes you don’t have to separate the artist from the artwork at all.

Text: Hilka Dirks / Photos: Jens Ziehe / Credit: Ál Varo Tavares d’Guilherme

Dittrich & Schlechtriem, Linienstr.23, 10178 Berlin–Mitte; map
Ál Varo Tavares D’Guilherme “No church wild” until 09.12.2023 Mon–Sat 11–18h. Opening 27.10.2023 18–20h.

@dittrichschlechtriem
@al__varo___

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HEJ RUP! — AN EXHIBITION FOR DESIGN ENTHUSIASTS WITH WORKS FROM THE CZECH AVANT-GARDE

HEJ RUP! — AN EXHIBITION FOR DESIGN ENTHUSIASTS WITH WORKS FROM THE CZECH AVANT-GARDE

All roads lead to Prague! Known for its art and design heritage, the city is the perfect destination for a short weekend trip (it’s four hours by train along a beautiful route). That said, you can also take a little Czech design excursion right here in Berlin: the current exhibition at the Bröhan Museum provides an overview of the most important movements of the country’s avant-garde. With over 300 paintings, graphics, collages, sculptures and photographs, the State Museum of Art Nouveau, Art Deco and Functionalism shows the Czech contribution to European modernism. The exhibits are definitely modern: the floor lamp with table from Robert Slezák’s metal furniture factory “Bystřice pod Hostýnem” could have come straight out of the latest Salone del Mobile – and yet it is from 1930 (wow!) The graphic rugs from Villa Místecký by Josef Místecký would turn any living room into a contemporary Insta-dream, while Karol Teige’s collages evoke retro-futuristic dreamscapes. The objects in the show are testimonies of a certain time and offer inspiration, but they also tell the story and transformation of a country. A journey across national borders and through history – with ideas for the present.

Text: Milena Kalojanov / Photos: Martin Adam / Credit: Jiří Kroha, Arkudes Foundation, VG Bild-Kunst, Bonn 2023; František Muzika, National Gallery Prague 2023

Bröhan-Museum, Schloßstr.1a, 14059 Berlin–Charlottenburg; map
Hej Rup! Die tschechische Avantgarde until 03.03.2024 Tue–Sun 10–18h

@broehan_museum

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ALL OF BERLIN’S STAGES AT A GLANCE — THE BERLIN BÜHNEN PORTAL

ALL OF BERLIN’S STAGES AT A GLANCE — THE BERLIN BÜHNEN PORTAL

Berlin’s countless cultural offerings are both a curse and a blessing – more than 150 theaters and stages are spread throughout the city. It’s almost impossible to keep track of them all. Because of this, it happens time and again that I find out about a play too late – i.e., when it’s either over or already sold out. But there’s a simple solution: online portal Berlin Bühnen, which specializes in bringing order to the city’s theatrical hubbub. The platform’s cross-venue, highly organized schedule not only allows users to explore the most popular productions, but offers plenty of inspiration and ideas for new finds and shows across all genres. Berlin Bühnen is not only a good guide for theater fans; there’s also dance, comedy and cabaret, digital events, readings, concerts, puppet theater and much more. The portal offers you the option to browse for different languages or filter by venues, premieres, times, indoor or open-air. Last but not least, there’s an online magazine full of news, information and highlights from the scene and the city in particular – including membership circles, ticket clubs and discount communities. As a portal, Berliner Bühnen really is like the cultural search engine of my dreams.

Text: Alina Herbel / Photos: Barbara Braun MuTphoto, Gianmarco Bresadola & Radial

Berlin Bühnen

@berlinbuehnen

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