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IN THE BEGINNING WAS THE WORD: ETEL ADNAN AND SIMONE FATTAL AT KINDL

IN THE BEGINNING WAS THE WORD: ETEL ADNAN AND SIMONE FATTAL AT KINDL

There are artists whose works you love from afar. And then there are artists you absolutely want to meet in person – because their paintings are so touching, their words so profound and their stories so impressive. Etel Adnan, who was born in Beirut in 1925, is one of them. Though she passed away in 2021, you can still feel close to her and her work at Kindl: the art center is dedicating an exhibition to her, presenting her work in interplay with that of her life partner Simone Fattal. The show “Voices without borders” is designed as a dialogue between the two women: a conversation that focuses not only on their experiences as artists in the Arab world, but more importantly on who they are as people. What connected them was language. Fattal, a ceramist born in Damascus in 1942, worked as a publisher, while Adnan, the grandiose painter and filmmaker, also wrote. After many years in California, Adnan returned to Lebanon in the seventies to work as a journalist for French newspapers. Here she met Fattal, twenty years her junior. The two become a couple, but with the start of the civil war they had to flee. In Paris, Adnan began translating her lived experiences into both a novel and poems, which Fattal published. Later, Adnan discovered leporellos for herself and, inspired by the Arabic tradition of calligraphy, slowly moved away from writing to signs. She transposed her luminous formal landscapes onto paper – but also onto canvas and tapestry. One recognizes basic natural forms in Adnan’s abstract paintings. There are mountains, clouds and suns, observed and experienced between California and France. These are the same forms that one finds in Fattal’s sculptural work. Thus, “Voices without borders” not only opens up spaces that are decidedly feminist and queer. It is an exhibition that tells – of life, of love and connection between two people.

Text: Laura Storfner / Credits: Simone Fattal, The Estate of Etel Adnan / VG Bild-Kunst, Bonn, 2023; Photo: Jens Ziehe

KINDL – Centre for Contemporary Art, Am Sudhaus 3, 12053 Berlin-Neukölln; map

Etel Adnan & Simone Fattal: Voices without borders, until 01.01.2024
Wed 12–20h, Thu–Sun 12–18h

@kindlberlin

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THE WARSAW POP-UP NAIL STUDIO IN BERLIN

THE WARSAW POP-UP NAIL STUDIO IN BERLIN

Stretching out your fingers and shimmying your hands back and forth to let the light hit your new nails in different ways is a simple joy in life. Every movement you make with your hands two days post-manicure is a beautiful sight to behold, even better when someone comments, ‘Ohh, I love your nails’. This sentence was uttered, dare I say it, almost too many times after I had my nails done at Nailed It — a summer pop-up nestled in the middle of Prenzlauer Berg, owned by Olga Urbowicz. Olga’s journey in the nail industry began more than two decades ago and has always been intertwined with her passion for art, music and community. She opened her first store in Warsaw over 13 years ago because she couldn’t find a place that offered both nail services and a space to discuss art and music. “What mattered and still matters the most to me is people,” Olga shared. “Nails were always in second place. But I’ve been doing my craft for 21 years and love it.” Olga built a strong community in Warsaw, where she opened ten salons. Now, she’s bringing that spirit to Berlin. One of the most important parts of Nailed It is the meticulous attention that is paid to hygiene measures. I can confidently say after a ten-year love affair with acrylic nails, I had never seen such attention to detail and hygiene. Not only will you leave with show-stopping claws, but you can also browse their eclectic knick-knacks, from vintage glass to handmade pieces from Mexico, graphics and paintings, and notebooks. No need to worry: this pop-up looks more permanent, and a new location might be coming soon.

Text: Kate Foran / Photos: Robyn Steffen

Nailed it, Dunckerstr.11, 10437 Berlin–Prenzlauer Berg; map
Mon–Fri 9–21h, Sat 9–19h

You can book an appointment here

@naileditwarsaw_berlin

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THIS CITY IS A FOREST — PHOTO EXHIBITION BY SAVANNAH VAN DER NIET AT BACKHAUS PROJECTS

THIS CITY IS A FOREST — PHOTO EXHIBITION BY SAVANNAH VAN DER NIET AT BACKHAUS PROJECTS

We admit it: We are fans. Of Savannah van der Niet – after all, she has been part of the Cee Cee team for many years. Besides her always optimistic and helpful nature, we also love her work: Savannah simply has an eye for special compositions and is above all a real explorer: she sees the details that others miss and makes Berlin appear in the best light. And now some of her private work is on display! In the middle of Weserstrasse, where the forest is probably at its scarcest, Australian photographer Savannah van der Niet opens her exhibition “This City is a Forest” tomorrow (Sept. 29, 2023) at Backhaus Projects. In images of simple fierceness that are as harmonious as they are balanced, she portrayed trees for over four years. The tree that stands in Savannah’s mother’s garden, the trees in strangers’ gardens from which she picked leaves for her father’s tea, and those that were particularly suited to climbing around in her homeland – when the trees in Berlin rest between the seasons, the photographer feels homesickness and longing for her homeland. Most of the body of work on display was taken in Berlin – other shots from Scotland, Australia, Spain, Slovenia and Italy complement the series and thus also tell the story of the artist’s own arrival. Delicate, austere, trees speak to the viewer, the tranquil plants brought into focus with complex personalities, often contrasting with the surrounding city. The exhibition is accompanied by a lively program: paper collages, a film screening and reading amidst the simple trees – amidst the city. Oh how nice that there is so much of everything in Berlin. 

Text: Alina Herbel / Photos: Savannah van der Niet

This City is a Forest” at Backhaus Projects, Weserstr.168, 12045 Berlin–Neukölln; map
Vernissage 29.09.2023 18–22h. The exhibition runs until 06.10., 12–18h. 

You can buy tickets for the workshops and film screenings here.

@savvyv
@backhaus_projects

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MODERNITY IN THE FACE OF THE APOCALYPSE – JULIEN GOSSELIN’S VISUALLY POWERFUL EPIC “EXTINCTION” AT THE VOLKSBÜHNE

MODERNITY IN THE FACE OF THE APOCALYPSE – JULIEN GOSSELIN’S VISUALLY POWERFUL EPIC “EXTINCTION” AT THE VOLKSBÜHNE

Nihilism, destruction, and the search for a spilling revolt. Arthur Schnitzler, Hugo von Hofmannsthal and Thomas Bernhard. Party, concert, live film and spoken theater. It was wild, loud and commanding. The Volksbühne’s season opening with Julien Gosselin’s epic production “Extinction” crossed genre boundaries. Revolving around the artistic and intellectual awakening in 20th century Vienna, Gosselin’s play draws us spectators into the rushing spell of the fin de siècle. Marked by social debates, underlying conflicts and the ambivalence between beauty and brutal reality, the French director paints an opulent picture of Viennese life before the First World War, and society fraught with ignorance, individualism and the impending downfall of the Empire. From 07.10.23 the revival can be seen four times at the Volksbühne. In over five hours, with two intermissions and in three languages, the arc spans multimedia through literatures and genres, casting its gaze on the elite’s struggle for ideal and beauty in the face of drive and death. In a kind of three-part “cheerful apocalypse” (Hermann Broch), it is about beauty and drive, nervousness and neurosis, subliminal violence, repressed sexuality and power – and about developing a counter-design of modernity. Narrative and neurosis revolve around ignorance, individualism, liberalization and democratization, sophistication, violence, misogyny and anti-Semitism, industrialization and the bourgeoisie. All the buzzwords of the last century apply, all of them are invoked, conjured up in Gosselin’s visually powerful battle of words in German literature, so engaging that the length of the play flies by.

Text: Hilka Dirks / Photos: Luna Zscharnt

Volksbühne am Rosa-Luxemburg-Platz, Linienstr.227, 10178 Berlin–Mitte; map

Extinction – Performances: Sat 07.10., Sun 08.10., Fri 20.10., Sat 21.10., at 18h. Performances in French and German with German, French and English subtitles.

Tickets are available here

@volksbuehne_berlin

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CILBIR, MÜCVER, KÖFTE AND MORE — ANATOLIAN TAPAS AT FOURTY YEARS KITCHEN IN GRÄFEKIEZ

CILBIR, MÜCVER, KÖFTE AND MORE — ANATOLIAN TAPAS AT FOURTY YEARS KITCHEN IN GRÄFEKIEZ

Are tapas your thing, no matter what time of day it is, morning or late evening? Then Fourty Years Kitchen in the middle of Gräfekiez might be just your new spot to put on your “To Try” list. The brunch and dinner spot is now the second location to join the Fourty Years Café, which has already made a name for itself in Kreuzberg. Alongside the friendly staff, owners Cemal and Merve personally welcome you with open arms. With the diverse options, you can choose here between cold and warm tapas, which are lovingly prepared in hot small pans and various bowls. So you can make your own favorites from a selection of vegetarian, vegan and the “I eat everything” dishes. We feasted our way through cilbir, turkish poached eggs with yogurt, shakshuka and Kibbeh – each of the tapas perfectly seasoned and prepared. In addition to the brunch highlights, there are several dinner highlights towards the evening that you should definitely try. From Mücver (Zucchini Pancakes) to Eggplant Rolls, Roasted Cauliflower, to “40ies Dürüm” and Iskender Köfte – there is something for everyone.

The homemade lemonades and non-alcoholic cocktails are another highlight on the menu, for example the Blackcurrant Rosemary Lemonade and the Espresso Martini (0.0%). When it comes to the dessert menu, it’s best to let yourself be surprised: New desserts await you every week – so you can virtually taste your way through the dessert menu every week. Our weekly menu included a delicious Muhallebi (Turkish milk pudding) with rhubarb and strawberry cream and caramelized walnuts.

Text: Paulina Noack / Photos: Luna Schaffron

Fourty Years Kitchen, Dieffenbachstr.52, 10967 Berlin; map
Tue–Fri 8–22h, Sat & Sun 9–22h

@fourtyyearskitchen

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